Short Book Reviews: A Queer Lovecraftian School Mystery

The Afterdark, by E. Latimer (Penguin)

After her twin sister drowns under questionable circumstances, Evie questions whether the darkness she has always known lurks inside her was responsible. In the blink of an eye, she gets shipped off to an elite boarding school where her father is the principal. Northcroft, located on a remote island and surrounded by dense, old-growth forest. Spooky things happen, beginning with a nightly bell and shutters slamming down, to her father refusing to see her, to a masked cult and mysterious warnings. To make matters worse, Evie falls for glamorous film star Holland Morgan, not knowing that Holland was her dead sister’s old flame. Every day, it seems, Evie discovers another layer of creepiness. If the school and the members of the clandestine mask-wearing “honor” society weren’t bad enough, the woods themselves are a thousand times worse. Something is out there, something ancient and utterly inhuman, something that Evie is increasingly unable to resist.

The Afterdark hits so many story tropes: it’s a school story with a spooky cult, a lesbian romance, a tale of a teen struggling to break free from a highly dysfunctional family, a Lovecraftian dark horror story, and a murder mystery, all tied up with one cliffhanger plot twist after another. The story grabbed me right away and kept me turning pages, and although I’m not a typical horror reader, for me the dark fantasy elements enhanced and intensified the story in appropriate and emotionally manageable ways. So don’t pass up this marvelous book because of the genre.

 

Short Book Reviews: A. C. Wise Redeems Captain Hook

 Hooked, by A.C. Wise (Titan)

Once invited, always welcome.
Once invited, never free.

Neverland is not a safe place but not for the reasons given in the books and movies. It’s a poison in the blood, an addiction whose single taste changes a person forever. A long time ago, a malevolent eternal child snatched a young man from his English home and transformed him into an immortal villain: Captain Hook. Never able to win against Peter Pan and always at the mercy of the menacing crocodilian beast, Hook’s world has become one blood-soaked death after another. Then a slowly evolving relationship with his ship’s surgeon awakens memories of the man he used to be, a man capable of goodness, self-sacrifice, and even love. After discovering a door through the sky, Hook and his surgeon return to London, living in the shadows and always fearing the return of the beast and the darkness that lurks just beneath the surface of his mind. On the eve of World War II, a murder throws Hook together with Wendy Darling and her grown daughter, and it’s only a matter of time before Neverland sinks its claws into them again.

The narrative style is intense, dark, and eminently accessible. Moving from one timeline to another, the story unfolds as a spiral, layering connected events, character journeys, and emotional resonances. I especially admired how the author offers understanding without excuses for Hook’s violent deeds. Like other survivors of horrendous abuse, Hook is still responsible for his actions. He is what Peter Pan made of him—the quintessential adversary. He is also what he then makes of the ashen dregs of the man he might have been.

I missed Wendy, Darling, A. C. Wise’s previous novel based on Peter Pan, but I never felt the lack. It’s the mark of a skillful writer to create a sequel (or several) that stand so solidly on their own, no previous experience is required. Instead, Hooked captured me so thoroughly, I’m ready to grab anything else I can find by the author.

 

Tim Susman's The Revolution and the Fox: Book Release and Author Interview

Today's Author Interview is with Tim Susman, who is celebrating the upcoming release of his queer furry alternate history, The Revolution and the Fox.


Deborah J. Ross: Tell us a little about yourself. How did you come to be a writer?
Tim Susman: I was encouraged to read by my parents, both English majors, and I read everything I could get my hands on. Eventually I found that I had stories in my head that I wanted to work out on paper, so I joined my college’s science fiction magazine and started writing short stories. After college, I kept on writing, and reached a point where I wanted to do more with it, so I took some writing workshop classes at our local university. I started writing novels, and when I got laid off from my tech job some years later, my husband encouraged me to write full time. I’ve been doing that for ten years now, and it is the best job I’ve ever had.


DJR: What inspired your book?
TS: This is the fourth (and final) book in a series inspired by the idea that coming-of-age stories play out in our lives at many different scales, that a country’s war of independence is a coming-of-age story, that a magical race created by a human sorcerer can, like any child, also have a coming-of-age story. The fourth book specifically grew out of two ideas: first, the idea that what a person or country does with their independence is as interesting as how they achieved it, and I wanted to explore that both for my protagonists and their new country; and second, that the magic system I’d built for the British Empire wouldn’t necessarily be the same system used all over the world. I wanted to explore other cultures and give the reader a sense of how different magic might be outside of Britain.


DJR: What authors have most influenced your writing? What about them do you find inspiring?
TS: Stephen King for his ability to create a mood. David Mitchell for his ability to find the perfect little details to describe a character, whether in narrative or in the character’s voice (also for his use of language and the craft in the endings of his books). Kazuo Ishiguro for the fragility of perception and memory (and also for his lovely characters). Susan Cooper’s Dark is Rising series and the way she brings real people to meet epic moments will always be in the back of my head, as will much of Madeleine L’Engle’s work for the same reason. For this series specifically I often thought back to Kevin O’Donnell, Jr.’s Flinger series (Caverns, Reefs, Lava, Cliffs) because he so ably portrayed a protagonist growing up with powers he needed to constantly build on in order to fight the forces arrayed against him for no logical reason other than an accident around his birth.


DJR: Why do you write what you do, and how does your work differ from others in your genre?
TS: I write furry fiction, meaning my stories usually have animal-people of some kind in them. I like that aesthetic and the idea that culturally we invest certain animals with certain traits; furry fiction is the logical extension of that. We think foxes are crafty; what if you had a whole group of fox-people who would be viewed as crafty? That’s the literary explanation, but it may be more of a justification after the fact of my having seen Disney’s Robin Hood at a young age and wanting desperately to live in that world.

I also write queer fiction because I think there needs to be more queer fiction, and also because I love to see the breadth of ways in which people find love and identity. I’m old enough to remember when I thought the world was divided into straight and gay, and to see people come forward year after year to show us how diverse the world is, and how blurred the distinctions are that we once thought so sharp, has been just a continuing source of joy.

As for what differs from others in my genre, I think what I try to bring to each of my works is a sense of optimism that everyone can find out their truest self and can express that. I hope that reading my books will give readers confidence that they too can find who they are and live their best lives.