Monday, April 29, 2024

[reprint] Mass extinction and the rise of the dinosaurs

 Growing quickly helped the earliest dinosaurs and other ancient reptiles flourish in the aftermath of mass extinction

Eoraptor lunensis lived roughly 230 million years ago, at a time when dinosaurs were small and rare. Jordan Harris courtesy of Kristi Curry Rogers, CC BY-SA
Kristi Curry Rogers, Macalester College

It may be hard to imagine, but once upon a time, dinosaurs didn’t dominate their world. When they first originated, they were just small, two-legged carnivores overshadowed by a diverse array of other reptiles.

How did they come to rule?

My colleagues and I recently studied the fossilized bones of the earliest known dinosaurs and their nondinosaur rivals to compare their growth rates. We wanted to find out whether early dinosaurs were somehow special in the way they grew – and if this may have given them a leg up in their rapidly changing world.

Before dinosaurs – the Great Dying

Life on Earth was flourishing 250 million years ago. Dinosaurs had yet to evolve. Instead, giant amphibians and sail-backed reptiles called therapsids thrived.

But within a blink of geologic time, in a span of about 60,000 years, scientists estimate 95% of all living things went extinct. Known as the Permian extinction or the Great Dying, it is the largest of the five known mass extinction events on Earth.

Most scientists agree this near total die-off was caused by extensive volcanic activity in modern-day Siberia, which covered millions of square miles with lava. The resulting noxious gases and heat combined to push global temperatures dramatically upward, eventually leading to ocean acidification, a loss of oxygen in ocean waters and a profound ecosystem collapse, both on land and in the ocean.

Only a few lucky survivors made it through.

The survivors and their descendants

In the ecological vacuum after the mass extinction event, on the stage of a healing Earth, the ancestors of dinosaurs first evolved – along with the ancestors of today’s frogs, salamanders, lizards, turtles and mammals. It was the dawn of the Triassic Period, which lasted from 252 million years ago to 201 million years ago.

Collectively, the creatures that survived the Great Dying were not particularly remarkable. One animal group, known as Archosauria, started off with relatively small and simple body plans. They were flexible eaters and could live in a wide variety of environmental conditions.

Archosaurs eventually split into two tribes – one group including modern crocodiles and their ancient relatives and a second including modern birds, along with their dinosaur ancestors.

This second group walked on their tiptoes and had big leg muscles. They also had extra connections between their back bones and hip bones that allowed them to move efficiently in their new world.

Instead of directly competing with other archosaurs, it seems this group of dinosaur ancestors exploited different ecological niches – maybe by eating different foods or living in slightly different geographical areas. But early on, the dinosaurlike archosaurs were far less diverse than the crocodile ancestors they lived alongside.

Slowly, the dinosaur lineage continued to evolve. It took tens of millions of years before dinosaurs became abundant enough for their skeletons to show up in the fossil record.

Aerial shot of a barren, weathered and rocky landscape.
The Ischigualasto Provincial Park in San Juan Province, Argentina, where the earliest dinosaur fossils have been discovered. Kristi Curry Rogers, CC BY-SA

The oldest known dinosaur fossils come from an area in Argentina now called Ischigualasto Provincial Park. Rocks there date back to roughly 230 million years ago.

The Ischigualasto dinosaurs include all three dinosaur groups: the meat-eating theropods, the ancestors of giant sauropods and the plant-eating ornithischians. They include Herrerasaurus, Sanjuansaurus, Eodromaeus, Eoraptor, Chromogisaurus, Panphagia and Pisanosaurus.

These early dinosaurs represent only a small fraction of animals found from that time period. In this ancient world, the crocodilelike archosaurs were on top. They had a wider array of body shapes, sizes and lifestyles, easily outpacing early dinosaurs in the diversity race.

It wouldn’t be until closer to the end of the Triassic Period, when another volcanism-induced mass extinction event occurred, that dinosaurs got their lucky break.

The late Triassic extinction event killed 75% of life on Earth. It decimated the crocodilelike archosaurs but left early dinosaurs relatively untouched, paving the way for their rise to dominance.

Before long, dinosaurs went from representing less than 5% of animals on Earth to constituting more than 90%.

Bones tell the story of growth

My collaborators from the Universidad Nacional de San Juan, Argentina, and I wondered whether the rise of dinosaurs may have been underpinned, in part, by how fast they grew. We know, through microscopic study of fossilized bones, that later dinosaurs had fast growth rates – much faster than that of modern-day reptiles. But we didn’t know whether that was true for the earliest dinosaurs.

We decided to examine the microscopic patterns preserved in thigh bones from five of the earliest known dinosaur species and compare them with those of six nondinosaur reptiles and one early relative of mammals. All the fossils we studied came from the 2-million-year interval within the Ischigualasto Formation of Argentina.

Microscopic image of a crosssection of bone tissue with many details present.
Eoraptor bone tissue under a polarizing light microscope shows evidence of rapid, continuous growth – common to both the earliest dinosaurs and many of their nondinosaur contemporaries. Kristi Curry Rogers, CC BY-ND

Bones are an archive of growth history because, even in fossils, we can see the spaces where blood vessels and cells perforated the mineralized tissue. When we look at these features under a microscope, we can see how they are organized. The more slowly growth occurs, the more organized microscopic features will be. With quicker growth, the more disorganized the microscopic features of the bone look.

We discovered early dinosaurs grew continuously, not stopping until they reached full size. And they did indeed have elevated growth rates, on par with and, at times, even faster than those of their descendants. But so did many of their nondinosaur contemporaries. It appears most animals living in the Ischigualasto ecosystem grew quickly, at rates that are more like those of living mammals and birds than those of living reptiles.

Our data allowed us to see the subtle differences between closely related animals and those occupying similar ecological niches. But most of all, our data shows that fast growth is a great survival strategy in the aftermath of mass destruction.

Scientist still don’t know exactly what made it possible for dinosaurs and their ancient ancestors to survive two of the most extensive extinctions Earth has ever undergone. We are still studying this important interval, looking at details such as legs and bodies built for efficient, upright locomotion, potential changes in the way the earliest dinosaurs may have breathed and the way they grew. We think it’s probably all these factors, combined with luck, that finally allowed dinosaurs to rise and rule.The Conversation

Kristi Curry Rogers, Professor of Biology and Geology, Macalester College

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Friday, April 26, 2024

Very Short Book Reviews: In the world of Tim Powers, things go seriously pear-shaped

After Many A Summer, by Tim Powers (Subterranean)

Tim Powers is a master of turning an already weird tale five ways on its head, upside down, and inside out until it begs for mercy in ancient Akkadian. His new short novel, After Many A Summer, is no exception. It begins, as do many of his books, with a semblance of normality: a down-on-his-luck screenwriter, Conrad, accepts a too-good-to-be-true deal from a movie studio: they’ll produce his script for a fabulous sum if he drives a valise around LA, transferring it from one vehicle to another. What does he have to lose? He figures this is an elaborate scheme for delivering a ransom for a kidnapped heiress. He’s sort-of right and very, very wrong. The heiress is indeed being held captive, but the valise contains a centuries-old mummified skull that can talk, prophesize, and even alter the course of time itself, and is given to quoting the poet Tennyson. And that’s just the beginning of things going seriously pear-shaped.

I’ve loved the work of Tim Powers ever since I discovered The Anubis Gates in 1983, so I was prepared for superb storytelling and major revamping of reality. I was not disappointed on either count. The story, taking the reader further and further from expectations, requires a bit of patience, but the central character is sympathetic enough to act as a naïve if likeable guide. Highly enjoyable (and an object lesson).


Monday, April 22, 2024

Sleepy Mind, Great Ideas... Maybe

Why is it that juicy story ideas, as well as brilliant solutions to plot problems, pop into my mind when I'm dozing off? All right, that's a rhetorical question. We all know that as we drift into sleep, our brain activity changes. Logic and other constraints on creativity shut down and we make unusual and often wonderful connections between otherwise disparate bits of memory, thoughts, etc. The point of my question is not why this happens, but what to do about the inevitable waking up and being unable to remember.

Catherine Mintz playfully suggests that "it is a law of writing that wonderful things appear as soon as you are too tired to make notes."

Keeping a pen and paper at bedside is a logical remedy. I've done this for a dream journal, which has a slightly different objective, and I've done it for writing ideas at various times over the years. I don't any more, and here's why.

Friday, April 19, 2024

Very Short Book Reviews: An Angels and Demons Murder Mystery in the Weird West


Tread of Angels
, by Rebecca Roanhorse

What a marvelous page-turner of an “Angels and Devils in the Weird West” murdeer mystery adventure! Rebecca Roanhorse does a brilliant job dropping the reader into an Old-West-That-Never-Was, a town that mines divinity as an energy-source mineral, populated by the Fallen descendants of demons and ruled by the snobbish ruling-class human Elects and their police arm, the Virtues.

In the late 1880s. a cardsharp named Celeste and her sister Mariel, an immensely talented singer, eke out a living. They’re both Fallen, although Celeste has managed to hide her outcast status. She’s also trying to forget an intensely passionate affair with a demonlord. Her world shatters when Mariel is arrested for the murder of a Virtue, and the only way to save her is for Celeste to become an untrained defense attorney, a “Devil’s Advocate” or advocatus diaboli. To make matters worse, she has only a short time, not nearly enough to investigate, and she’s managed to put herself in debt to her demon lover.

The story swept me up on the first page and didn’t let go until the surprising, ambivalent-but-satisfying conclusion. I especially admired how Roanhorse plomped me into her world without big chunks of exposition. Instead, she uses character, action, and nuanced detail to construct a world as seen through the eyes of an unreliable but highly sympathetic protagonist.

Highly recommended.


Monday, April 15, 2024

Writer's Round Table: Pros Give Advice on Writer's Block

A few years ago, a friend wrote poignantly about what it's like to be blocked. I asked some pro writer friends for words of encouragement.



This is from a well-known, NYTimes-best-selling author:


WRITER'S BLOCK


I am sitting here looking at a fic I have not touched since 2007.  I have 135K done, including the last scene...or, about 2/3 of the total fic.  I am ALSO sitting here looking at a novel that was due three years ago, for which I have something similar to an outline and the first 50K written (only 100K to go, right?) 

I've been writing fanfic and profic since the 80s, and dealing with blocked, derailed, and MIA stories for most of that time.  Here are some of the strategies that have worked for me.  (NOTE: some of these ideas are mutually-exclusive, because every writer writes differently.)

1. WELCOME TO THE GULAG: Block out a specific time and place where you do the same thing every day: sit in front of the screen and make words come.  Doesn't matter what you write, or even if you don't write.  Just be there doing nothing else (no shopping, no reading AO3, no social media) for that one or two hours (no more) each and every day (same Bat-time, same Bat-channel).  Eventually your brain gives up and you get to write what you want to write.

1A. If absolutely nothing else will come to your fingers, choose a favorite book (or longfic) and retype it. 

2. FACE THE MUSIC: Between day job and commute (long) I was really bushed when Writing Time arrived in the evening.  I just didn't have the energy—but I did have a deadline.  Solution?  ROCK'N'ROLL BAY-BEE!!!  I wrote two novels to "Bad To The Bone".  Just that one track.  On infinite repeat.  Loud.  So pick a piece of music, declare it your writing music, and hit "Repeat" on iTunes.

Friday, April 12, 2024

Very Short Book Review: Penric and Desdemona in "The Corpse Isn't Dead"

Knot of Shadows (A Penric & Desdemona Novella in the World of the Five Gods) by Lois McMaster Bujold (Subterranean)

Knot of Shadows (A Penric & Desdemona Novella in the World of the Five Gods) by Lois McMaster Bujold is not your ordinary murder mystery, but anything involving Temple sorcerer Penric and his chaos demon, Desdemona, is bound to be anything but ordinary. In this case, they’re called in to investigate when a drowning victim turns out to be not quite dead. The animated corpse houses two souls, sundered from the care of their gods, the result of vile and highly illegal death magic. But is the corpse the victim or the perpetrator, a person so desperate to avenge a wrong that they are willing to sacrifice their own soul?

As usual for these novellas, the story is intricately crafted, and full of snappy dialog, vivid characters, and profound emotions. I hope we’ll see many more of them.


Monday, April 8, 2024

[archives] Is Darkover Space Opera?

This post from a couple of years ago still gets viewers, so in case you missed it, I'm giving it another day of blog-glory. With the recent publication of The Children of Kings, which takes place entirely on Darkover, but does involve things going 'splody in space, it seems appropriate.


My husband, sf writer Dave Trowbridge, and I were discussing the appeal of space opera at breakfast, what it is and why it appeals. Basically, space opera is a type of science fiction set on a large scale, highly dramatic and sometimes melodramatic. It tends to have military elements -- huge battles upon which hinge the fate of galactic empires, that sort of thing. Although wikipedia says it has nothing to do with the musical form, I think that reflects their own ignorance. What space opera and musical opera have in common is being larger than life, or rather brighter and more intense than life. Opera was, after all, the epitome high-tech special-effects knock-your-socks-off entertainment for centuries. Music, lyrics, sets, and costumes, not to mention trap doors and wire harnesses, exotic animals and fireworks, all enhanced one another. But that's another topic.

We agreed that we love the grand scope of such tales, but that it needs to be balanced by emotionally intimate moments. The same is true, for me at least, in epic fantasy. Monstrous dark forces are threatening the entire world, volcanoes exploding by the thousands, rivers of fire and poison...and then a detail in the characters that's so human, it touches my heart, not just my things-go-boom adrenalin endorphins.

Which brings me to Darkover.

Friday, April 5, 2024

Short Book Reviews: Tarot untangles a murder mystery


 Play the Fool, by Lina Chern (Bantam)

Play the Fool, by Lina Chern is a murder mystery with more than one delicious twist. Katie True, whose ability to read tarot cards verges on (and plunges headlong into) the supernatural, is the classic underachiever in an upwardly mobile, hyperconventional middle-class family. Her world of one dead-end job after another takes a surprising turn with a new friendship. Marley is free-wheeling, mysterious, and absolutely comfortable in her own skin. Their burgeoning relationship gives Katie hope that she, too, can one day live an authentic, irreverent, and joyous life.

Then a hapless young man stumbles into the shop where Katie works, claiming to be the boyfriend Marley intends to break up with. Katie takes pity on his evident distress and agrees to do a tarot reading for him. She discovers a photo on his phone. It’s of Marley, murdered by a gunshot wound to her head.

Shocked and grief-stricken, Katie determines to find Marley’s killer. Even if it means taking reckless chances and ignoring the advice of the gorgeous, emotionally bottled-up cop to stay out of it.

Throughout the thriller whodunit that follows, Katie’s first-person voice shines through. In her quest to discover Marley’s killer, she must come to terms with her own lack of purpose, fend off her well-meaning but domineering family, and stay alive through one dark, dangerous plot twist after another.

Katie’s luminous voice elevates a well-written mystery to something more. I didn’t care whether or not she possesses supernatural clairvoyance or an exceptional ability to read people. What matters is her brilliant insight coupled with all-too-human vulnerability. The fact that she is both kind and hilariously funny adds to the delicious tone.

And I did not see the ending coming at all.