Showing posts with label genderqueer characters. Show all posts
Showing posts with label genderqueer characters. Show all posts

Friday, June 5, 2020

Short Book Reviews: Librarians as Feminist Revolutionaries

Upright Women Wanted, by Sarah Gailey (Tor.com)

In a post-collapse eternally-at-war America, most States are rigidly controlled, with traveling women Librarians bringing only Approved Materials to small communities. 

Conventionally rigid “virtue,” subservience to male authority, and suppression of free thought are the rule in Esther’s world. Just before the start of the story, she has fallen in love with another teen girl, their affair has been discovered, and her lover has been hanged. Only the power and political standing of her father has saved Esther’s life. So she does the only reasonable thing: she runs away to join the Librarians. Who are not at all the conventional, convention-enforcing women she expected: a lesbian couple and a third, who presents as female in public but wears trousers and insists on “they” in private. To say this blows up Esther’s preconceptions and challenges her guilt for having the “wrong” attractions is putting it mildly.

The core of the story emerges as Esther gains in confidence, rising to face one increasingly dangerous challenge after another. The world is nothing like what she expected, and the only way to gain her own freedom to be fully herself is to fight for the rights of others to do the same.

A satisfying ending concludes this thoughtful page-turner.

Friday, July 21, 2017

Short Book Reviews: A Postapocalyptic Genderqueer Story

The Book of Etta, by Meg Elison (47 North, 2017). This novel is the sequel to the Philip K. Dick Award-winning The Book of the Unnamed Midwife, but can be easily read on its own. Generations ago, a plague swept the world, killing most of the women and leaving the survivors at grave risk in childbirth. The expected chaos resulted, social disintegration, and enslavement of the few remaining fertile women. 

Now various communities have evolved their own cultures with varying roles for the women, often in isolation and ignorance of one another. Etta lives in Nowhere, a fortified community in which women hold power as Mothers and Midwives. She frets against her mother’s expectations, keeps her lesbian love affair secret, and flees to the outside world under the guise of a scavenger of old technology and rescuer of enslaved women. In this role, she becomes Eddy, but the switch is not mere disguise for safety. The prose shifts to the male pronoun to emphasize the transformation in identity. As the story unfolds, it becomes more and more clear that Etta/Eddy flips back and forth from one persona to the other, and clues emerge as to the origin of the personality split. In his adventures, Eddy encounters underground havens, trading centers where transgender “horsewomen” live openly as women, and a vicious tyrant bent on conquest. 

Elison weaves together elements of dystopia and hope, tense action and inner anguish, into a compelling tale of survival and self-revelation. Highly recommended, although with a caution for younger readers.