Showing posts with label autographing. Show all posts
Showing posts with label autographing. Show all posts

Saturday, November 10, 2012

Highly Idiosyncratic Orycon Diary



November 1, 2012. As usual, I began with good intentions to get daily exercise. At home, I typically exercise for half a hour before breakfast, and then get in a walk later in the day. So Friday morning I wended my way to the hotel fitness center. The treadmills, my torture of choice, were equipped with headphones and leeetle television screens. After flipping from one channel to another (which reminded me emphatically why I do not watch television), I discovered a program of videos made by Japanese children in the wake of the tsunami and then a year later. They were lovely, poignant, generous, joyful, grief-stricken, honest as only children can be honest. I wanted everyone to see them. They were all the more powerful in the context of Hurricane Sandy.

November 3, 2012. Writers workshop went well yesterday. Likewise my reading, which was well-attended considering it was 5 pm on Friday. I believe there were a number of snafus with other readings, so I felt grateful that mine actually took place where and when it was supposed to. Today’s panels went really well – as moderator for all of them, I happily accept my fair share of credit. Topics were: what authors influenced you (and what do you see as the wave of the future, which none of us were interested in talking about, so we ignored); gender (as if writing the other); is publishing obsolete. The latter two drew large, engaged audiences, always a nice thing for a panelist. I particularly enjoyed the gender panel; we started with the issue of whether/how we write opposite-gender characters and progressed to larger issues of gender fluidity, gay/queer characters, tolerance in general and how fiction informs and infuriates various audiences. I usually keep my own book pimpage to a minimum (no “wall’o’books” for me!) but I did get to talk about creating a gender-fluid race for my sf novel, Collaborators (forthcoming from Dragon Moon Press, May 2013). The panel gave rise to some pretty amazing connections.

Tuesday, November 1, 2011

World Fantasy Convention Report Part The Second - First Daze

Sailing the Seas of Imagination
(A Disclaimer: Part of me is kicking the other part for not having taken better notes, but the other part insists that Friday, my first day of convention participation, was so saturated in conversation, in meetings and greetings and reunions, that it wouldn't have mattered anyway.)

World Fantasy Convention differs from smaller regional cons in several important ways. For one thing, everyone pays for their membership (this is true for WorldCon as well), and this has the effect of placing readers and writers, newbies and big names alike on an equal footing. Second, participants get one panel or a reading. This nicely gets around the "he got 12 panels and I got only 2" hierarchies and resentments. The exceptions, of course, are the Guests of Honor, Toastmaster, etc. As a consequence, perhaps, panelists really focus on doing a good job. (Another difference is that publishers and sometimes authors donate piles of books, which are stuffed into bookbags for each attender.) There's no masquerade and I didn't see a single costume, Klingon, brass bikini or otherwise. This is a serious reader/writer gathering. And the conversations and informal gatherings are glorious!

When I studied the program, I kept going, "I want to hear this! And this! And this!" And made it to only a few, because whenever I tried to walk anywhere (and the venue this year was a sprawling "resort" with many mini-environments and long distances Between Things), I'd meet so many old friends, writers I desperately wanted to meet, or people who desperately wanted to meet me. I've long since given up any expectations that I will actually make it to any panel besides the one I'm on.