We may find out that other animals tell each other stories, too. For now, we seem to be the only species that tells itself things that aren't true, but that contain a deeper truth. It may be a factor of the way our brains are constructed. We can think in layers. We can know what is, but also what might be or could be--and what couldn't possibly be except in our imagination.
It can be hard to tell what's true and what's not. We have a powerful capacity for self-deception, which can be dangerous. Consider the Big Lie. It's a deliberate falsehood that's told to serve a purpose, usually political or financial; that's repeated over and over until the people who are lied to believe it's true.
Which, yes, has something to do with the events of this month.
But I'm talking about Story here. About the lie that is, in its essence, true. It creates worlds and characters. It invents histories. It fabricates languages that can take on lives of their own.
People are out there speaking Klingon and more than one dialect of Elvish. They're living in our world but speaking words that came from the mind or minds of humans who imagined how alien beings would think and talk. It's a strange thing, but it's beautiful. It's a lie but it's true.
The image I chose for this post exists in multiple worlds. In this one it's a piece of jet contrail that caught the wind and attached itself to wisps of cloud. The light of the setting sun struck the ice crystals and give them the illusion of color, even while the wind made it seem to be moving steadily westward.
In another world, the world of Story, it's a dragon. Can you see the shape of it? The long neck. The snaky tail. The wings. It comes from the west and it's flying east over the mountains.
I don't know where it started or where it's aiming to go. But because I have the power of Story, I can imagine. I can invent a world for it to come from and a reason for it to be flying over this land, on this evening. I can make up a destination for it, and tell the story of what happens to it when it gets there.
Maybe it's a happy story. It's bringing good news to people who are waiting eagerly for it. Or maybe it's a tragedy. Something terrible happened, and it's warning the people in the east. Or it's a monster story, and it's hunting, and its prey is running away in front of it.
Personally I like the more optimistic kinds of stories. I understand and appreciate the need for the darker ones, for the way they shed light on our own darker impulses. But I lean more toward good news than bad. There will pretty definitely be darker moments, crises and reversals, but my mind wants them to end more happily than they began.
I know that every story can't and won't have a happy ending. Real life can hit hard. But one function of Story is to make it possible to withstand the hits. To find a way through. To face problems and, if at all possible, solve them.
Even if they can't be solved, at least we can try. We can imagine alternatives. We can hope.
Story helps us do that. That's its power.
That's why I'm writing fiction again. So that I can process what's happening. Deal with the hard parts. Find ways to make them less hard. And share those ways with other people, many of whom will share their own ways with me. And maybe, among all of us, we'll end up in a better place than we began.
Judith Tarr is the author of over forty novels and numerous short stories. She has a Patreon, where she shares fiction, nonfiction (like this blog), and (of course) cute cat pictures.
https://www.patreon.com/
She lives near Tucson, Arizona with a herd of Lipizzan horses, a small clowder of cats, and two Very Good Dogs.
Reprinted by permission