Book Review: Not Fairyland

 And Put Away Childish Things, by Adrian Tchaikovsky (Solaris)

Adrian Tchaikovsky’s And Put Away Childish Things is a fresh new take on the subgenre in which the beloved children’s fantasy novels are real and open to visitors. In this case, middling successful actor Harry Brodie has grown up in the shadow of his grandmother’s wildly successful and much-loved “Underhill” book series. There’s something “off” about the world and its characters—from the saccharine child heroes to the spooky, dangerously contrarian clown to the faun who never learns from his mistakes. Harry shrugs it off as being “children’s literature.” Now, on the cusp of the Covid pandemic, Harry’s life as a failing kids’ TV presenter takes an unexpected turn and he ends up captive to a group of seriously disturbed folks calling themselves the “Underlings.” They’re convinced that Underhill is real, that Harry is the rightful heir, and that he is capable of taking them all to this magical kingdom.

They’re not wrong, though. But when Harry arrives in Underhill, he finds a world in disarray—decaying, abandoned, and failing. At its heart, in the castle that was once its crowning glory, a dangerous secret.

I raced through the book. I loved the layers of theme and emotional resonance. It is as much about Harry’s longing for meaning in his life as it is about an adventure in a childhood magical realm. Tchaikovsky gives voice to characters whose only purpose has been to entertain one specific reader. Created with immutable flaws, they strive for agency as their world deteriorates around them. I couldn’t help thinking that good fantasy, whether for children or adults, succeeds through emotional resonance at a deeper level. Placeholder characters serve the plot but have no inner psychological life; they cannot aspire to anything greater meaning than their superficial roles. Harry’s “hero’s journey” demands that he shift from an “I-It” relationship to Underhill to one of “I-Thou,” extending both compassion and responsibility to the magical realm and its folk. My favorite of these was the former-villain spider, Smackersnack, who has found her way into the real world as a computer programmer and abdicates the role of eternal monster. I rather like her.

Recommended.

The "Ennara" Books: Middle Grade Fantasy Strikes the Perfect Tone

Ennara and the Fallen Druid (Ennara, #1) by Angela Shelley, Patchwork Press, October 2014.

Ennara and the Book of Shadows (Ennara, #2) by Angela Shelley, Patchwork

Press, October 2014

Middle grade fiction stands apart from its younger and older (Young Adult) cousins in ways that go beyond the simple division by ages. Kids this age are just beginning to spread their wings, assert their independence and individuality, and test their limits. Friends help them define themselves and try out new behaviors and identities, although not always in ways their parents approve. At the same time, they’re not ready to plunge into the full-blown angst, sex, blood, and darkness (although certainly rock/n/roll) of stories for older readers. They often prefer adults to hang around somewhere, just not too close by; they tread the line between wanting to go off entirely on their own and needing someone stronger and wiser to lend a hand when they get in over their heads. In other words, they’re highly capable children. Some will happily devour literature for teens and adults, but others want the same adventurousness, but featuring kids closer to their own age.

With this perspective in mind, I embarked upon a series of adventures with young Ennara and her friends. The setting included many familiar elements: low-technology villages, magic, prophecies, pirates, “shadowspawn,” and druids. In an adult fantasy, these might feel generic and derivative, a hodge-podge of time-worn tropes, but in Angela Shelley’s hands, they evoke a sense of familiarity. Pre-teen readers aren’t after a startlingly original world with sophisticated culture and so forth; they want a good story with characters they can relate to. So even details that caused me-the-adult to roll my eyes were strangely congruent and certainly didn’t cause me to stop reading (although I admit, finding a professor in a plaid blazer in the middle of a fantasy tale gave me a giggle). I don’t think the intended readers will notice, for instance, that druids have been done to death in adult fantasy; instead, they’ll recognize the name, just exotic enough to be not-here-and-now, but not so alien as to require chapters of backstory and explanation.

So the above-mentioned shadowspawn appear in Ennara’s village, thereby initiating a quest for our young heroine. Ennara is magically gifted, of course, although not educated in its use. She has a mentor, a wise old magician (who incidentally is in love with her potion-making aunt, which made me smile), a family, who remain behind but send their love and support, and a best friend. As the adventure unfolds, she picks up a new friend (and a huge marine cat named Smoos who loves to swim), loses the mentor partway through (although he’s still alive and they wrap him up to bring him along with them). Ennara’s gifts and self-confidence grow as she learns from her adventures, so there are no sudden bursts of power but a careful, step-wise mastery and growing self-knowledge, which is, after all, what the pre-teen years are about.