Wednesday, December 27, 2017
Monday, December 25, 2017
Lace and Blade 4 Author Interviews: Dave Smeds
Just in time for Valentine's Day, Lace and Blade 4 offers a bouquet of sensual, romantic, action-filled stories. Order it from iBook, Kindle, Kobo, Nook. Table of contents is here.
Deborah J. Ross: Tell us a little about yourself. How did you come to be a
writer?
Dave Smeds: I
loved fiction from an early age. I was particularly drawn to stories of
imaginary worlds, or at least by settings that were in effect imaginary, such
as Mars as depicted by Edgar Rice Burroughs. At age fifteen, it occurred to me
I might be able to write a short story or two. I did that. The result was crap,
of course, but every time I did another story or fragment of a novel, I could see
how to improve. (It was, as you might imagine, REALLY OBVIOUS how I could
improve.) I felt driven to eventually write something at a level I’d want to
read if someone else had written it.
DJR: What
inspired your story in Lace and Blade 4?
DS: There is a great deal of me in “The
Wind’s Kiss.” The fulfillment I feel in being a father. The contemplation of
the pioneer life led by my ancestors as they moved westward, often literally
dwelling right at the edge of civilization, first settlers on the scene. The
vital need in our hearts for passion between, and admiration of, one’s lover.
However, there is also a more specific inspiration for this particular piece.
In August, 2016, I was finally able to take a journey through Nebraska. For the
first time in my life, and quite possibly for the last time, I visited the
grave of my great great grandmother, Marancy Alexander Warner. The land there
has a windswept, deeply conscious aspect. I wanted to install that presence in
my fiction as soon as possible, and as it happened, that sort of setting and
mood was perfect for what I wanted to write for Lace and Blade 4.
DJR: What
authors have most influenced your writing? What about them do you find
inspiring?
DS: In the early days, I never thought of
myself as deeply influenced by any particular author, except perhaps in the
sense that I loved to write sword-and-sorcery, and back then, anyone doing that
was standing on the shoulders of Robert E. Howard and J.R.R. Tolkien. In
retrospect, I see L. Frank Baum’s influence upon the way I structure a story.
Baum did not write The Hero’s Journey. He wrote The Heroine’s Journey. That is
to say, he wrote books in which the protagonist — usually a girl — makes
alliances, as opposed to the Campbell paradigm where a young man pulls himself
up by the bootstraps, stands alone, and takes sole credit for defeating an
antagonist. I prefer the complexity and subtlety of The Heroine’s Journey.
DJR: Why do
you write what you do, and how does your work differ from others in your genre?
DS: At first I wrote to prove I could do
it. Next I wrote to earn money. Both motivations, in my view, demanded that I
write the best work I could, so in that respect, I have no regrets. But I write
now with the awareness that an author of fiction has an obligation to inject
meaning into an essentially meaningless universe. That’s our job as human
beings. We are creatures of pattern recognition. It’s our chief survival trait.
But a fiction writer must do it better than anyone. Hard to do. However, at
this point in my life I’ve proven I can write many types of fiction and I’m at
a point where I don’t need the money, really, so what keeps me putting the
words down on the chance it will move a reader in a way that would not have
happened otherwise. As said, hard to do. I try anyway.
Wednesday, December 20, 2017
Monday, December 18, 2017
Lace and Blade 4 Review in Publishers Weekly
Lace and Blade 4 will be released Valentine's Day 2018, a delicious collection of romantic, swashbuckling, inventive, poignant fantasy stories to delight the senses. Look for interviews with the authors, coming soon. It will be available in ebook and trade paperback formats at the usual vendors.
Dave Smeds’s “The Wind’s Kiss,” ... captures not only the imagination but also the heart, leaving behind a sense of peace and longing. India Edghill’s “Pawn’s Queen” follows a young woman on the path to her own destiny, seamlessly marrying a feast for the senses with the darker whimsies of magic and duty. Marella Sands’s excellent “The Game of Lions” focuses on the strength of bonds between sisters and teammates. The ... stories evoke wonder and excitement.
--Publisher's Weekly
Friday, December 15, 2017
Marsupial Lions, Dinosaur Ticks, and Other Wonders
Actual lions evolved on a different fork in the mammal genealogical tree, but Australia’s marsupial lions got their feline nickname from the size and slicing teeth of the first species named, in 1859. Thylacoleo carnifex was about as big as a lion. And its formidable teeth could cut flesh. But unlike other pointy-toothed predators, marsupial lions evolved a horizontal cutting edge. A bottom tooth stretched back along the jawline on each side, its slicer edge as long as four regular teeth. An upper tooth extended too, giving this marsupial lion a bite like a “bolt cutter,” Gillespie says.
Auroral glory from Norway.
The setting is a summit of the Austnesfjorden fjord close to the town of Svolvear on the Lofoten islands in northern Norway. The time was early 2014. Although our Sun is nearing Solar Minimum and hence showing relatively little surface activity, holes in the upper corona have provided some nice auroral displays over the last few months.
Dinosaur tail discovered trapped in amber
Fragments of dinosaur-era bird wings have been found preserved in amber before but this is the first time part of a mummified dinosaur skeleton has been discovered, McKellar said.
The tail section belongs to a young coelurosaurian -- from the same group of dinosaurs as the predatory velociraptors and the tyrannosaurus.
Dinosaur parasites trapped in 100-million-year-old amber tell blood-sucking story
Labels:
astronomy,
auroras,
dinosaurs,
paleontology
Wednesday, December 13, 2017
Wednesday, December 6, 2017
Monday, December 4, 2017
Holiday Ebook Giveaways
Tis the season to be enjoying free ebooks and an introduction to the great offerings at Book View Cafe.
For the month of December only, I'm offering free copies of my short story collections. You can choose the format (mobi, epub) and they're DRM-free, so you can switch reading devices; they're yours forever. Contact me at the email below and I'll send you a coupon to download the collection of your choice. Follow the instructions to side-load to your ereader.
Transfusion and Other Tales of Hope
For the month of December only, I'm offering free copies of my short story collections. You can choose the format (mobi, epub) and they're DRM-free, so you can switch reading devices; they're yours forever. Contact me at the email below and I'll send you a coupon to download the collection of your choice. Follow the instructions to side-load to your ereader.
Transfusion and Other Tales of Hope
From the ancient Indus Valley to post-apocalyptic California come fourteen tales of love, redemption, and hope…and occasional humor.
The vampire has known only evil since he was made, until an unlikely friendship reconnects him with life… Two women mourning two dead mothers tread the boundaries between grief and obsession… A ghoulish spirit haunts a refugee in Renaissance Venice… A healer discovers a dying man with the heart of a dragon on her doorstep… Two boys travel back in time to discover the true nature of Tyrannosaurus rex… A mother vampire, struggling to raise two vampire children in Hollywood, encounters her biggest challenge yet: the PTA.
A short fantasy potpourri of dragons and toads, horses and thieves, mothers and daughters, and lovers and villains, with an occasional salamander.
A magical pearl turns a young girl into warrior without pity… A dragon bound to an amulet of amber seeks the aid of a forest wizard… A bitter, crippled fairy plots revenge on her captors… A vampire stalks back alleys, seeking to turn the tables on those who prey on women… The hapless apprentice to a sorceress gets her wish fulfilled… The Arabian Nights meets Hamlet, with a feminine twist.
Across the Azkhantian steppe, warrior women ride to battle against foes both human and supernatural. From the world of The Seven-Petaled Shield come four fantasy tales, originally published in Marion Zimmer Bradley’s Sword & Sorceress.
Prophecy links a mother and daughter in an unbreakable bond... A young woman defies tradition to become a shaman... When twins are magically divided, the survivor searches for the other half of her soul... A warrior woman discovers that to wield a magical blade dishonorably carries a heavy price.
This collection includes a previously-unpublished Introduction and a sneak peek at The Seven-Petaled Shield.
Contact me at mail@deborahjross dot com
Friday, December 1, 2017
Holiday Book Giveaways
'Tis the season when my thoughts turn in gratitude to you, my devoted readers. Your response to my work has buoyed me through many a crisis of confidence, and I continue to be awed by the way shared stories enrich and heal all our lives.
This year, I'm trying something new in addition to the usual selection of free copies of my books. As usual, postage reimbursement would be appreciated but is not required. Use the Donate button at the very bottom left It's wayyyy down there, so keep scrolling).
Purchase The Seven-Petaled Shield and I'll send you the next two volumes (Shannivar and The Heir of Khored). Send me a copy of the receipt or an image of the book (or cover on your ereader) at my email below, as well as the address to send the books (and any inscription). If you already have all 3, I adore you! I'll give you a free copy of the ebook companion short story collection, Azkhantian Tales.
Autographed bookplates. Email me with your address and how many you'd like.
Books:
Hastur Lord (hardback)
Zandru's Forge (hardback)
A Flame in Hali (paperback or hardback)
I also have a few review copies of the hardback edition of Thunderlord. While you are not obligated to post a review, that's the general idea and would be much appreciated.
More specials will follow next year. Stay tuned!
Contact me at mail@deborahjross dot com
This year, I'm trying something new in addition to the usual selection of free copies of my books. As usual, postage reimbursement would be appreciated but is not required. Use the Donate button at the very bottom left It's wayyyy down there, so keep scrolling).
Purchase The Seven-Petaled Shield and I'll send you the next two volumes (Shannivar and The Heir of Khored). Send me a copy of the receipt or an image of the book (or cover on your ereader) at my email below, as well as the address to send the books (and any inscription). If you already have all 3, I adore you! I'll give you a free copy of the ebook companion short story collection, Azkhantian Tales.
Autographed bookplates. Email me with your address and how many you'd like.
Books:
Hastur Lord (hardback)
Zandru's Forge (hardback)
A Flame in Hali (paperback or hardback)
I also have a few review copies of the hardback edition of Thunderlord. While you are not obligated to post a review, that's the general idea and would be much appreciated.
More specials will follow next year. Stay tuned!
Contact me at mail@deborahjross dot com
Wednesday, November 29, 2017
Monday, November 27, 2017
Auntie Deborah Holds Forth on Writing Topics
Q: Can I learn to write novels from movies? If so, which movies?
A: Rather than specific movies, watch those director’s commentaries in which the process of story construction is discussed. For example, in the extended DVD editions of The Lord of the Rings, Peter Jackson and the writers talk about the decisions they made in adapting the books for film; these segments are filled with insights into how stories work (on film) that also apply to prose narrative.
My second suggestion is to read some of the excellent books on screenplay writing, paying particular attention to the 3-act structure and the way tension is created, built, and resolved. With only dialog and action as tools, the script writer has to use both to excellent advantage, something we novelists could learn much from.
Q: Do you write stories longhand or on the computer, and why?
A: I do most of my drafting on computer (used to be typewriter, back in the day) because I want to write quickly. I don’t care if it’s rough, I just want to get the basic elements of the story down. To promote the free flow of ideas, I need to get my internal critic offline. Longhand comes in when I’m stuck or revising and then the slower pace helps me to focus on nuance and detail. Then I want and need all my critical faculties; I’m usually either trouble-shooting, adding layers of resonance and depth, or filling in crucial gaps.
In the past, I wrote extensively in notebooks by hand when I wasn’t at home — waiting for appointments, while my kids were in gym class, at the airport, etc.; this was in the days before laptops/netbooks/tablets. Now it’s just as easy to stick my Chromebook in a bag and go; it’s light enough to carry easily. The increased productivity from keyboard vs paper makes it worthwhile.
Very occasionally I’ll switch to dictation (Google Voice, which usually drives me a bit nuts because it doesn’t learn), especially for dialog, but I find the differences difficult. It’s an added if less desirable tool to help me through those stuck places.
Q: I'm too upset to write. Help!
A: Running away to a world inside our minds has long been a strategy for writers. In fact, daydreaming as children was how many of us got started as storytellers. So one way to look at your question is to just let yourself escape and pay attention to what gives you comfort, hope, and courage. That’s where the passion in your story will be.
Another aspect, one I have struggled with, is how to focus enough to write when in the midst of a crisis. Again, the strategy is to do what you can, even if it’s not the project at hand. Have faith that as you allow the story to lead you through survival and recovery, you will regain the ability to concentrate. You may find, however, that coping with those life problems changes what you want to write. If you have a contract or commitment to produce something that no longer speaks to you, you will have to behave like an adult professional and renegotiate. But if your book is “on spec,” it’s entirely possible that the best story for you to work on is one that emerges from your struggles, not something initially conceived before those problems descended upon you.
Q: What are the essential elements of a fantasy novel?
A: A fantasy universe requires the same essential elements in any good story: vivid world-building, characters that are complex and fascinating, a sympathetic protagonist with a worthy goal who faces both internal and external obstacles, and so forth. The difference between mainstream (or science fiction) is that fantasy as a genre allows you to bend the laws of physics as we know them. Whether that means a well-thought-out system of magic, the existence of elves or unicorns or any other mythical being, or any other element, it must be an integral part not only of the world but of the plot. It doesn’t help to have a dragon as your fantastical element if it never puts in an appearance, or a vampire that exists only in stories.
Sometimes stories get marketed as fantasy when they are in reality perfectly non-magical stories set in an alternate-medieval world. Fantasy does not necessarily mean medieval! Some of the best fantasy literature takes place in modern settings (or future, or Renaissance…). And let’s not forget the wealth of cultures that are not Western European! There’s a whole world of folklore and history, not to mention fascinating characters and traditions, out there.
(My epic fantasy trilogy, The Seven-Petaled Shield, was based on the conflict between the Romans and Scythians, with added cultures derived from the nomadic horse peoples of Central Asia, the Phoenicians, and the ancient kingdom of Judea. Each of these has its own relationship to the land/sea, and its own magic derived from that bond.)
Q: How do you know where to end a chapter?
A: My chapter divisions arise naturally from the story itself. Just as the entire novel has an inciting event rising tension, reversals, climax, etc., so does each scene, although of course the resolution of tension is partial if at all, so that it builds over the course of the entire book. A chapter may contain one or more scenes, but has the same overall “arc” of drama. Some may lend themselves naturally to a twist or cliff-hanger at the end, but this is not a good thing to do consistently (you will aggravate your reader!) The end of the chapter, like the end of the scene, can be a transition, “a lick and a promise” of more adventures to come.
When writing a rough draft, I set up one chapter per file, with a numbering system that indicates also which draft it is. I don’t combine them into one “novel-length” file until I’m ready to sent it out (either to a beta reader or my editor). (Example: 1NOVEL.03}
Occasionally, when revising I will divide chapters as I add and develop material, and even less occasionally I will combine them if I find myself ruthlessly pruning “flab.” I don’t try to make them the same length within a book or from one project to the next. They are the length they need to be.
A: Rather than specific movies, watch those director’s commentaries in which the process of story construction is discussed. For example, in the extended DVD editions of The Lord of the Rings, Peter Jackson and the writers talk about the decisions they made in adapting the books for film; these segments are filled with insights into how stories work (on film) that also apply to prose narrative.
My second suggestion is to read some of the excellent books on screenplay writing, paying particular attention to the 3-act structure and the way tension is created, built, and resolved. With only dialog and action as tools, the script writer has to use both to excellent advantage, something we novelists could learn much from.
Q: Do you write stories longhand or on the computer, and why?
A: I do most of my drafting on computer (used to be typewriter, back in the day) because I want to write quickly. I don’t care if it’s rough, I just want to get the basic elements of the story down. To promote the free flow of ideas, I need to get my internal critic offline. Longhand comes in when I’m stuck or revising and then the slower pace helps me to focus on nuance and detail. Then I want and need all my critical faculties; I’m usually either trouble-shooting, adding layers of resonance and depth, or filling in crucial gaps.
In the past, I wrote extensively in notebooks by hand when I wasn’t at home — waiting for appointments, while my kids were in gym class, at the airport, etc.; this was in the days before laptops/netbooks/tablets. Now it’s just as easy to stick my Chromebook in a bag and go; it’s light enough to carry easily. The increased productivity from keyboard vs paper makes it worthwhile.
Very occasionally I’ll switch to dictation (Google Voice, which usually drives me a bit nuts because it doesn’t learn), especially for dialog, but I find the differences difficult. It’s an added if less desirable tool to help me through those stuck places.
Q: I'm too upset to write. Help!
A: Running away to a world inside our minds has long been a strategy for writers. In fact, daydreaming as children was how many of us got started as storytellers. So one way to look at your question is to just let yourself escape and pay attention to what gives you comfort, hope, and courage. That’s where the passion in your story will be.
Another aspect, one I have struggled with, is how to focus enough to write when in the midst of a crisis. Again, the strategy is to do what you can, even if it’s not the project at hand. Have faith that as you allow the story to lead you through survival and recovery, you will regain the ability to concentrate. You may find, however, that coping with those life problems changes what you want to write. If you have a contract or commitment to produce something that no longer speaks to you, you will have to behave like an adult professional and renegotiate. But if your book is “on spec,” it’s entirely possible that the best story for you to work on is one that emerges from your struggles, not something initially conceived before those problems descended upon you.
Q: What are the essential elements of a fantasy novel?
A: A fantasy universe requires the same essential elements in any good story: vivid world-building, characters that are complex and fascinating, a sympathetic protagonist with a worthy goal who faces both internal and external obstacles, and so forth. The difference between mainstream (or science fiction) is that fantasy as a genre allows you to bend the laws of physics as we know them. Whether that means a well-thought-out system of magic, the existence of elves or unicorns or any other mythical being, or any other element, it must be an integral part not only of the world but of the plot. It doesn’t help to have a dragon as your fantastical element if it never puts in an appearance, or a vampire that exists only in stories.
Sometimes stories get marketed as fantasy when they are in reality perfectly non-magical stories set in an alternate-medieval world. Fantasy does not necessarily mean medieval! Some of the best fantasy literature takes place in modern settings (or future, or Renaissance…). And let’s not forget the wealth of cultures that are not Western European! There’s a whole world of folklore and history, not to mention fascinating characters and traditions, out there.
(My epic fantasy trilogy, The Seven-Petaled Shield, was based on the conflict between the Romans and Scythians, with added cultures derived from the nomadic horse peoples of Central Asia, the Phoenicians, and the ancient kingdom of Judea. Each of these has its own relationship to the land/sea, and its own magic derived from that bond.)
Q: How do you know where to end a chapter?
A: My chapter divisions arise naturally from the story itself. Just as the entire novel has an inciting event rising tension, reversals, climax, etc., so does each scene, although of course the resolution of tension is partial if at all, so that it builds over the course of the entire book. A chapter may contain one or more scenes, but has the same overall “arc” of drama. Some may lend themselves naturally to a twist or cliff-hanger at the end, but this is not a good thing to do consistently (you will aggravate your reader!) The end of the chapter, like the end of the scene, can be a transition, “a lick and a promise” of more adventures to come.
When writing a rough draft, I set up one chapter per file, with a numbering system that indicates also which draft it is. I don’t combine them into one “novel-length” file until I’m ready to sent it out (either to a beta reader or my editor). (Example: 1NOVEL.03}
Occasionally, when revising I will divide chapters as I add and develop material, and even less occasionally I will combine them if I find myself ruthlessly pruning “flab.” I don’t try to make them the same length within a book or from one project to the next. They are the length they need to be.
Friday, November 24, 2017
Very Cool Astronomy and Physics Stuff for November
The Beauty of Ice
On November 14, Operation IceBridge scientist John Sonntag took this photograph of ice in the Weddell Sea, a part of the Southern Ocean off the Antarctic Peninsula. The geometric shapes are due to a phenomenon known as “finger rafting,” which occurs when two floes of thin ice collide. As a result of the collision, blocks of ice slide above and below each other in a pattern that resembles a zipper or interlocking fingers. Brine expelled from the ice forms a solution that acts as a lubricant. For finger rafting to occur, it’s critical that the ice be thin—calculations suggest no more than 8 inches, or 20 centimeters. Any thicker and the ice loses its flexibility. Without flexibility, thicker ice floes that collide can result in a big pile up known as “ridging.”
A streak of lightning in the skies over Japan has generated positrons — the antimatter equivalents of electrons — and radioactive carbon-14, confirming a theoretical prediction, according to a paper published in Nature on 22 November.
NASA — After more than 13 years at Saturn, and with its fate sealed, NASA’s Cassini spacecraft bid farewell to the Saturnian system by firing the shutters of its wide-angle camera and capturing this last, full mosaic of Saturn and its rings two days before the spacecraft’s dramatic plunge into the planet’s atmosphere.
How the Earth stops high-energy neutrinos in their tracks
For the first time, a science experiment has measured Earth's ability to absorb neutrinos -- the smaller-than-an-atom particles that zoom throughout space and through us by the trillions every second at nearly the speed of light.
On November 14, Operation IceBridge scientist John Sonntag took this photograph of ice in the Weddell Sea, a part of the Southern Ocean off the Antarctic Peninsula. The geometric shapes are due to a phenomenon known as “finger rafting,” which occurs when two floes of thin ice collide. As a result of the collision, blocks of ice slide above and below each other in a pattern that resembles a zipper or interlocking fingers. Brine expelled from the ice forms a solution that acts as a lubricant. For finger rafting to occur, it’s critical that the ice be thin—calculations suggest no more than 8 inches, or 20 centimeters. Any thicker and the ice loses its flexibility. Without flexibility, thicker ice floes that collide can result in a big pile up known as “ridging.”
Monday, November 20, 2017
The Saga of the Prius
Once upon a time, O Reader, hybrid cars were new and
wonderful, the best of both worlds, a stylish way to reduce our dependence on
foreign petroleum and thereby prevent wars and save the planet. If there were issues
with the manufacture and disposal of the hybrid batteries, or the way the extra
battery weight chewed up tires and suspension systems, no one got very excited.
The cars got in the range of 50 miles per gallon and had these nifty dashboard
screens that allowed you to track your mileage.
The most immediate drawback was how expensive they were,
even the bare-bones models. I accepted that I’d never be able to afford one.
And sighed. And kept driving my battered old Mazda Protégé. But fate had other
ideas. A friend and her partner needed to liquidate various assets in order to
study with their guru in India for a year, so I bought her year-old red Prius,
a 2004. It came loaded with all kinds of extras I never would have selected for
myself, like a sound system that played both CDs and cassette tapes, a GPS, and
Bluetooth. I plastered the back bumper with bumper stickers, thereby making it
mine.
Thus began a long and (mostly) happy adventure. I played a
lot of music in that car. The CD changer held 6 disks, which turned out to be
exactly right for listening to the extended version of the music to all 3 The Hobbit movies, which contributed in
a major way to my sanity during the last Presidential election and its
aftermath. The GPS helped me get un-lost countless times, especially after I
figured out the reason it kept taking me the looooong scenic route was that the
“Allow Freeways” option was off. I never used the Bluetooth.
My relationship with the exterior of the car was less harmonious.
Suffice it to say that if you so much as tapped the bumper covers, they dented.
I left the dent in the hood made by a deer that jumped out in front of me but
didn’t kill me, as a reminder. But the years and miles rolled by, with roads trips
to college reunions, family vacations, and so forth. When my younger daughter
asked to borrow it for a series of interviews for residencies in family
medicine, I handed over the keys.
A few days later, I got a message from her, saying that a
warning light of the terrifying variety had appeared, the car was parked in a
safe place nearby, but that she couldn’t get it started. After conferring with
our friendly local walking-distance mechanic, my husband and I made our way to
the poor Prius, AAA card in hand. Exploiting our special relationship, I was
able to start it and drive it to the nearest hybrid specialist.
The news was not good. The hybrid battery, which was now 13
years old and which we expected to fail any time, was fine. The culprit was
most likely the computer, which was located behind the dashboard, which would
take YikesThatManyDollars to just
open up and look at, and YikesEvenMoreDollars
to repair if indeed that was the problem. And then we’d still be facing the
demise of the hybrid battery and the pressing need for new front tires before
the winter’s storms.
We took a deep breath and called the folks who cart your car
away for charity. Here I am at the garage, saying goodbye.
Now we were down to my husband’s van, a 2002 Mazda MPV that
has carted dogs in their crates, loads of garden tools, plants, lumber, lots of
people on its 7 seats, and such like over the years. The door locks are cranky,
it does have a functioning radio and single-CD player, and it gets less than 20
mpg. Fortunately, we don’t drive it a lot, but now we would be putting more
miles on it. I embarked upon a courtship phase by buying a bunch of Andrea
Boccelli CDs at the local thrift store and playing them to woo the van. The van
purred at me in response.
I called my daughter to let her know the outcome with the
Prius. Without missing a beat, she said, “Mom, remember the car you bought for
me [when I started San Jose State]? I was going to sell it in May [when I
graduate from medical school in CT]. I’ll drive it home and give it to you.”
She went on to say it wasn’t in perfect condition but the engine had always run
well. I wasn’t listening too carefully at that point. The universe in the form
of my loving, generous daughter was giving us a car.
Interestingly, it’s one thing for us to have bought the car,
a Toyota Corolla (great gas mileage, yay!) for her. I expected to do stuff like
that as a parent, especially when it was important to enable her to commute “over
the hill” and finish her four-year degree. I feel overwhelmed with gratitude,
though, when the generosity goes the other way. Guess I’d better start getting
used to it.
I wonder what kind of music the Corolla likes?
Wednesday, November 15, 2017
Thursday, November 9, 2017
Squash Harvest. 2017
Every year we grow winter squashes of various sorts for
food. I specify food rather than decoration because the output of a small plot
of land in nutrients and calories from winter squashes is extremely good. They’re
not only delicious (and beautiful) but are low
in sodium and fat, and provide an array of vitamins, minerals, and fiber.
Growing them is fairly easy, although the vines have a tendency to wander and
take over.
Midsummer 2017 |
Autumn 2017 |
Like summer squashes, winter squashes hybridize and so it’s
best to either grow only one variety or start them from commercially obtained
seed or seedlings every year. At least, that’s the theory. We often end up with
“mystery squashes.” (“Wait! I don’t
remember planting that – what is it?”)
Our current theories are: (a) these are truly hybrids from last year’s crops;
(b) they are hybrids from the seeds that entered our garden through compost
scraps. The latter used to be more true when we got vegetable trimmings from
the local health food store. My husband tells me we use “cold” composting
(worms) rather than the “hot” method, so seeds will survive.
Boer White squash |
Buttercup, one of our favorites |
Mystery squash, perhaps a hybrid of delicata and acorn. We got two and have devoured one. The shell is quite hard, as it often is with hybrids, but the flesh was delicious.The seeds will go to a friend who runs a seed-saver business.
Wednesday, November 8, 2017
Friday, November 3, 2017
Short Book Reviews: How Many Clones in a Murder?
Six Wakes, by Mur Lafferty (Orbit, 2017). A crew on a
generational space ship wakes – or rather, their clones do, a standard
procedure that usually involves downloading stored memories for continuity. The
one remaining crew, the captain, is near-death, there is blood everywhere, and
none of the clones can remember what happened. In an added twist, all of them
are criminals whose paths have crossed in the past and who have reason to hate
each other.
Skillfully handled action and discovery of information lead to one
plot twist after another. I especially liked how my initial assumptions about each
character were turned inside out in a way that gave them depth and humanity,
even the ship’s AI.
Exceptionally well-done science fiction mystery.
Labels:
clones,
murder mysteries,
science fiction,
space fiction
Thursday, November 2, 2017
A Grand Age of Astronomical Discovery
This is an amazing age of astronomical discovery. Not that long ago we could only speculate on the existence of planets around other stars, not to mention exploring those in our own system. We didn't know Jupiter had auroras or any of the many, many amazing discoveries of the last decades. Once we were limited to what our eyes and cameras could detect through the thickness of our terrestrial atmosphere. The Hubble Space Telescope launched our instruments beyond that blurring layer, and other telescopes, both on Earth and in orbit, expanded our view to include other parts of the EM spectrum. We have X-ray and infrared telescopes, and color enhancement by computers. Space probes like the Pioneers, Voyager, Spirit and Opportunity, Cassini-Huygens, Juno, and New Horizons have vastly expanded our understanding of the solar system. Who knows what wonders lie yet to be explored?
Here are a few tidbits in recent news:
Using the NASA/ESA Hubble Space Telescope, astronomers have discovered that the brightest galaxies within galaxy clusters “wobble” relative to the cluster’s centre of mass. This unexpected result is inconsistent with predictions made by the current standard model of dark matter. With further analysis it may provide insights into the nature of dark matter, perhaps even indicating that new physics is at work. Full article here.
Using an innovative new telescope array, an international team of researchers has discovered a distant gas giant roughly the size of Jupiter around a star half the size of ours. It’s considered the largest planet in proportion to its companion star.
Bayliss and Wheatley spotted the hot Jupiter using the Next-Generation Transit Survey (NGTS) instrument, a wide-field observing facility composed of several telescopes at the European Southern Observatory’s Paranal Observatory in Northern Chile. This state-of-the-art facility is operated by the Universities of Warwick, Leicester, Cambridge, Queen’s University Belfast, Observatoire de Genève, DLR Berlin, and Universidad de Chile. Full article here:
Here are a few tidbits in recent news:
In the past, auroras have been spotted around Jupiter’s poles by NASA’s Chandra X-ray Observatory and by the Hubble Space Telescope. Investigating this phenomena and the mechanisms behind it has also been one of the goals of the Juno mission, which is currently in an ideal position to study Jupiter’s poles. With every orbit the probe makes, it passes from one of Jupiter’s poles to the other – a maneuver known as a perijove. Full article here.
Bayliss and Wheatley spotted the hot Jupiter using the Next-Generation Transit Survey (NGTS) instrument, a wide-field observing facility composed of several telescopes at the European Southern Observatory’s Paranal Observatory in Northern Chile. This state-of-the-art facility is operated by the Universities of Warwick, Leicester, Cambridge, Queen’s University Belfast, Observatoire de Genève, DLR Berlin, and Universidad de Chile. Full article here:
Friday, October 27, 2017
Short Book Reviews: AI and Woman Explore Common Humanity
A Closed and Common Orbit, by Becky Chambers (Harper
Voyager, 2017). Despite being a sequel to A Long Way to a Small, Angry Planet,
this story stands beautifully on its own. Through alternating flashback and
present points of view, two characters embark upon very different journeys with
the same question: what does it mean to be a person?
Sidra was once Lovelace,
an AI controlling a space ship. Now she finds herself in an artificial body
that in most ways mimics that of a human woman. She’s cut off from the multiple
audio and visual inputs that have defined her world, besieged by physical sensations
and social expectations, and at risk of exposure.
Her guide and companion,
Pepper, has a troubled and traumatic past as a cloned child-slave. Chance and
luck freed her, then ten years old, from a factory where she sorted and
repaired trashed equipment, then led her to a buried spaceship, whose AI
provided her with the only loving parenting she had known. Pepper’s past
struggles beautifully mirror and inform Sidra’s present quest.
Sympathetic
characters, fascinating alien cultures, nicely paced action, and understated
depth mark this as a book to savor and re-read.
Labels:
artificial intelligence,
book reviews,
robots,
science fiction
Wednesday, October 25, 2017
Monday, October 23, 2017
Crossroads of Darkover Story Lineup
Here's the lineup for the next Darkover anthology, which I have edited. Release date is May 2, 2018:
The Short, Inglorious War, by Rebecca Fox
A Study in Sixes, by Gabrielle Harbowy
A Plague of Aunts, by Jane M. H. Bigelow
Quevrailleth’s Sister, by Leslie Fish
The Cobbler to His Last, Rosemary Edghill and India Edghill
Night of Masks, by Diana L. Paxson
The Song of Star Girl, by Marella Sands
The Raptor Matrix, by Evey Brett
Trust, by Jenna Rhodes
A Game of Kings, by Shariann Lewitt
Wind-Born, by Pat MacEwen
Snowquake, by Robin Wayne Bailey
Tricky Things, by Robin Rowland and Deborah J. Ross
Crème de la Crème, by Deborah Millitello
Friday, October 20, 2017
Short Book Reviews: Murder Mystery in a City Without Night
A Man of Shadows by Jeff Noon, Angry Robot, 2017.
From the
first page, I loved this surreal, hallucinatory world. The story centers on a
city where eternal day is created by artificial lightning: every space is
saturated with brilliance, and the entire society depends upon those with the
never-ending task of replacing light bulbs as they burn out. Without natural
night and day, the usual measurement of time becomes meaningless, giving the
city’s inhabitants the choice of living by many calendars; some are the
products of commerce (“Business Standard Time”) but others are whimsical and
capricious. Sometimes it’s all a person can do to keep with the necessary
changes to their wristwatch. Not surprisingly, many suffer disorders of time
due to constant disruption of the body’s internal rhythms. The luscious prose
and bizarre imagery perfectly reflect the disorientation of the characters.
Outside the city lies a treacherous region of Dusk,
transversable only by special trains, and beyond it, Nocturna. (A few asides
refer to regions outside the city’s influence, where crows grow and cows graze
in unaltered days and nights, so we know the entire planet has not succumbed to
artificial divisions of day and night.) Mysterious mists swirl through Dusk,
and those who venture into them emerge changed or not at all. Not surprisingly,
Dayzone is far from idyllic, beset by not only light-sickness but a serial
killer and kidnappings. The protagonist, a private detective named Nyquist, is
drawn into this dark side of light when he takes on the case of the missing
daughter of a wealthy, powerful man. His search reveals not only dangerous
connections but his own unresolved past.
Innovative world-building enhanced by a surreal and highly
literate prose style offer both a challenge and a reward to the reader. My only
complaint was that Nyquist is so perennially sleep-deprived, and the text is so
reminiscent of the way thought fractures under disruptions of the normal
circadian rhythm, that I kept wanting to curl up and nap. Recommended ,
especially for those who enjoy a hefty dose of weird in their fiction.
Wednesday, October 18, 2017
[personal] Fire Update
Tuesday, October 17, 2017
Horse Fodder and Other Incredibly Cool Science Stuff
Grazing horses on better pastures
Annual grasses offer options during summer slump
Sudangrass and sorghum-sudangrass showed the greatest yields and regrew the most after grazing. Siberian millet was the lowest yielding grass. Horses most preferred the annual cool-season ryegrass, but among the warm-season grasses, they highly preferred teff and sudangrass. All of the grasses were found to supply adequate nutrition for horses.
Citrus fruit peel: Potential alternative to mosquito control discovered
The essential oils were extracted in large amounts from the peel of a fruit similar to an orange, which is available throughout many countries in the world. With such ease of access and productions of the oils, it could potentially be used in areas which have little or no access to an alternative.
Believed to be the first ever example of such an experiment, it was found that the essentials oils were highly effective in mosquitocidal activity on the larvae, leading researchers to conclude it could be used as an eco-friendly alternative in mosquitoes control programs.
Bizarre Dwarf Planet Haumea Has Rings
"We started to see something weird in the light curve," Santos Sanz said. The light dimmed just before and after Haumea passed in front of the star, as if something else were obscuring it. "I remember that José Luis, from the first [moments], said, 'OK, this could be a ring,'" Santos Sanz said. Months of scrutiny bore out the scientists' initial suspicions: The results suggest that Haumea's equator is encircled by a 43-mile-wide (70 km) ring of debris located about 620 miles (1,000 km) from the dwarf planet's surface.
Ancient Mars Likely Had Deep-Sea Hydrothermal Vents
"Ancient, deep-water hydrothermal deposits in Eridania basin represent a new category of astrobiological target on Mars," researchers said in the statement. "Eridania seafloor deposits are not only of interest for Mars exploration, they represent a window into early Earth."
Friday, October 13, 2017
Short Book Reviews: A Magical Bed and Breakfast, with Occasional Werewolf
The Innkeeper Chronicles, Volume One, by Ilona Andrews,
Subterranean Press, 2017. (Clean Sweep, Sweep in Peace, One Fell Sweep).
This husband and wife writing team, using her name, Ilona
Andrews, obviously had a terrifically good time with their free, serialized
urban fantasy “Innkeeper” novels.
A charming young innkeeper, Dina Demille
(from the innkeeper family of the same name), is like any other innkeeper
bonded to her sentient and extremely powerful and magical inn, Gertrude Hunt.
Scattered over Earth, these inns provide neutral havens for interstellar
creatures. Dina is dedicated to the safety and comfort of her guests, many of
whom would otherwise be at each other’s throats. Predictably, events and
blood-thirsty, revenge-driven and otherwise unlaw-abiding forces collude to
interrupt that peace.
Although blessed with supernatural powers within the
inn’s grounds, Dina becomes ordinary the farther she gets from home. To meet
the various threats, she therefore acquires allies and (sometimes would-be
lovers) in the form of sexy werewolves and equally sexy vampires, but the real
charm of these stories lies in her courage and resourcefulness, coupled with a
not inconsiderable thread of whimsy.
Humor, romance, and suspense are nicely
balanced against each other, and the central characters are so appealing, I was
sad when I finished the last page. (Not to be too sad: the Innkeeper website
assures me there will be more! Check it out here: http://innkeeper.ilona-andrews.com/)
Labels:
book reviews,
urban fantasy,
vampire stories,
werewolves
Thursday, October 12, 2017
Martian Sand and Other Wonders
"The mantle of the Earth is made mostly of a mineral called olivine, and the assumption is usually that all planets are like the Earth," said Jay Melosh, Distinguished Professor of Earth, Atmospheric and Planetary Sciences at Purdue University, who led the study. "But when we look at the spectral signature of rocks exposed deep below the moon's surface, we don't see olivine; we see orthopyroxene."
Around 4 billion years ago, an asteroid collided with the moon and created the largest and deepest impact on the moon: the South Pole-Aitken basin. The collision exposed lunar mantle in the basin and splashed up material onto the far side of the moon.
Discovered in images from the Context Camera, this region exhibits dark material that is being eroded from dark layers in the bedrock of a semicircular depression near the boundary of the Southern highlands and the Northern lowlands. Downslope lineations support the notion that these dark sediments are derived locally, and did not accumulate here by coincidence because of the winds.
Sand grains can also roll along the ground as they are blown by the wind, and they are also jostled by other sand gains that are similarly flying across the surface. All of these repeated impacts tend to wear down the sand grains, smoothing them into a more spherical shape and breaking off small fragments that supply the vast dust deposits of Mars. This process (known as comminution) ultimately destroys sand grains and limits the length of time that the particles exist. The fact that we see active sand dunes on Mars today requires that sand particles must be resupplied to replace the grains that are lost over time. Where are the modern day sources of sand on Mars?
Best Way to Recognize Emotions in Others: Listen
Across all five experiments, individuals who only listened without observing were able, on average, to identify more accurately the emotions being experienced by others. The one exception was when subjects listened to the computerized voices, which resulted in the worst accuracy of all.
Jupiter and Two of Its Biggest Moons
Io and Europa are two of Jupiter's four Galilean moons, which are so named because famed Italian astronomer Galileo Galilei discovered them back in 1610. (The other two Galilean satellites are Callisto and Ganymede.) Io is the most volcanic object in the solar system, and astrobiologists regard the ocean-harboring Europa as one of the best bets to host life beyond Earth.
Labels:
astronomy,
Jupiter,
Mars,
Moon,
psychology
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