Thursday, November 28, 2019
Wednesday, November 27, 2019
Friday, November 22, 2019
Short Book Reviews: First-Rate Multiple POV Space Opera
The Cruel Stars, by John Birmingham (Del Rey)
The popularly
conceived optimal number of point-of-view characters changes with the times,
everything from only a single, first-person protagonist to a cast of thousands,
er, dozens. I love how multiple points of view, even those that seem to be
unrelated at the beginning, come together, and John Birmingham’s The Cruel Stars falls squarely in that
category. The story begins with a handful of characters who seem to have little
in common, except living in the same universe, in which humans have populated
planets across the galaxy: a young lieutenant in one of the space navies, a
princess of a planet’s ruling family, a curmudgeonly astroarchaeologist, and a
space pirate. When the Human Republic, long defeated and exiled for their
extreme opposition to any modification of “natural” humans – either by tech or
genetic modification – attacks, their first move is through the galactic
network linking everyone who’s logged in, essentially frying their brains and
turning them into psychotic cannibals. With the leadership and aristocracy
decimated, our disparate characters end up among the few competent people who
are unaffected. Especially moving was the ship’s digital Intellect, who walls
off and then essentially sacrifices themself, rather than spread the contagion
to their human shipmates.
This space opera
entertains endlessly with skillfully handled dramatic tension and first-rate
world building.
Wednesday, November 20, 2019
Today's Moment of Art
Friday, November 15, 2019
Short Book Reviews: The Princess Bride Meets Princess Leia on a Space Station with Magic
How Rory Thorne Destroyed the Multiverse, by K. Eason (DAW)
The blurb for this
entertaining coming-of-age in a weird mix of space opera and magic reads, The Princess Bride Meets Princess Leia.
While I appreciate the ease of film references, I found the book more strongly
reminiscent of Frank Herbert’s Dune.
Most of the action takes place on a space station habitat rather than a desert
planet, but many of the cultural and world-building elements are eerily
similar. The young heroine (named Rory out of family tradition) is, like Paul
Atreides, the heir to the throne. She’s protected and educated by a pair of
extraordinary, dedicated teachers. From a early age, she learns not only personal
self-control but the nuanced maneuvers of controlling others. And, like Paul,
she’s caught up, in over her depth, in a complicated interplanetary struggle. In
Rory’s world, however, computer nets are controlled by hexes and spells, and at
her birth, fairies granted her various gifts, including the ability to detect
falsehoods. This is indicated in the text by offset italics of what the person
is actually thinking, with often
humorous results.
like this…
A peace treaty
between Rory’s widowed mother and the scheming villain who murdered her father
locks her into a betrothal (to a prince whose only public appearances are by
his short-lived, imbecilic clones) and exile on the afore-mentioned space
station. Cut off from her teachers, she’s forced to find new (and surprising)
allies and most of all, to come into her own power. I love that she makes
mistakes, and that her opponents are formidable. The risk to her, the people
she cares about, and her home world are equally daunting.
Enormous fun. Highly recommended.
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