Friday, December 14, 2012

Jaydium - Chapter 24


JAYDIUM


by Deborah J. Ross, writing as Deborah Wheeler


Chapter 24



Eril stood quietly, hands at his sides, facing the semi-circle of giant silvery bodies. He took a deep breath, his shoulders rising and falling. Then he began to speak.

"We greet you in peace and friendship," he said. At his words, brightness shot through the platform wall panels, leaping with energy. "We represent two star-faring empires, the Fifth Federation and the--er, Dominion. We welcome you with open--er, with eagerness. In all our settled worlds, we have never encountered intelligent life like yours. You are unique, and we would like to have you as friends and...allies."

It could be worse, Kithri thought, even if he did sound like a pompous diplomatic ass. He was doing a whole lot better than she would have in his position. And it couldn=t be easy for him, knowing how much rode on his words. Sweat plastered his black hair to his neck and tension roughened his voice. Despite this, he held himself erect and graceful. The wall lattices danced with light in response to his words.

As Eril spoke, the giant molluscans of the Council began slowly shifting their positions. At first, they swayed from side to side as if they were restless or bored with his speech. Then Kithri realized that they were actually creeping across the platform, back and forth in a complicated weaving pattern. No matter how she tried to concentrate on Eril, her eyes were draw to them. As they moved, the rhythm of their rocking became more apparent and more disturbing. She caught a faint, hypnotic pulsation of light in their bodies.

I=m seeing things... That must be it.

Wednesday, December 12, 2012

What's Next - "Blog Hop" - THE CHILDREN OF KINGS

So a bunch of nefarious conspirators got together and cooked up this game called a Blog Hop. The idea is to get a bunch of friendly author-type folks to answer a series of questions about their work and all do the linkies to one another. In typical fashion, I have answered what I felt like because if it's not fun, it's not worth doing.

You can read a bunch of other cool answers here:

Steve Harper Piziks
Jeffrey Carver
Katharine Eliska "Cat" Kimbriel
Patricia Burroughs
Pati Nagle 

Here goes for my "what's next" project...

What is the working title of your book?
Since I just started noodling around with notes for a new project, in between bouts of terror of the page proofs for one project and editorial revision requests for another that are going to descend on my any moment now, I'd rather talk about the book that's coming out in March. It's got a real, official title and you can pre-order it at Amazon. The Children of Kings, AKA The Next Darkover Novel.

Where did the idea come from for the book?
A couple of things. One is that Marion's original concept for Darkover centered on the clash of cultures, so I wanted to bring the Terran Federation back into the picture, but not in a nice sedately friendly way, in a OMG terrible crisis about to descend upon us way. I also wanted to run away to live with the chieri, and Kierestelli (Regis and Linnea's daughter, from Hastur Lord) kindly offered to take me.


For this tale set mostly in the Dry Towns, I used as background not only The Shattered Chain but a very early (1961) “proto-Darkover” novel, The Door Through Space. The Door Through Space contained many elements familiar to Darkover readers, from jaco and the Ghost Wind to the names of people and places (Shainsa, Rakhal, Dry-towns). Marion was exploring a world in which Terrans are the visitors, and adventure lurks in the shadows of ancient alien cities. She drew upon and further developed this material in The Shattered Chain (1976).

These books reflected the growth of Marion’s vision, but each of them was also part of the times in which it was written. 1960s science fiction novels were often tightly-plotted, fast-paced, and short by today’s standards. Most, although by no means all, protagonists were male, and female characters were  often viewed from that perspective, what today we call “the male gaze.” By the middle of the next decade, publishers were interested in longer, more complex works. Not only that, the women’s movement and the issues it raised influenced genre as well as mainstream fiction, opening the way for strong female characters who defined themselves in their own terms. If Marion had written The Shattered Chain a decade and a half earlier, I doubt it have found the receptive, enthusiastic audience it did. Her timing (as with The Mists of Avalon or The Heritage of Hastur) brilliantly reflected the emerging sensibilities of the times.

Now we live in a different world. This is not to say that the previous struggles have been resolved, but that much has changed in the social consciousness from 1976 to today. In writing The Children of Kings, I considered how Marion’s ideas about the Dry Towns (and any patriarchal desert culture) might have changed over the last three decades. The Shattered Chain, with its examination of the roles of women and the choice (or lack of choices) facing them, focused on only a few aspects of the Dry Towns culture. What if we went deeper, seeing it as complex, with admirable aspects as well as those we find abhorrent? With customs that we cannot truly comprehend but must respect, as well as those that resonate with our own? With men of compassion and women of power?

As the Dry Towns developed in my mind, I turned also to the theme that had characterized the early Darkover novels—the conflict between a space-faring technological race and the marvelously rich and romantic Domains, with their tradition of the Compact and the laran-Gifted Comyn. And now, adding to the mix, the ancient kihar-based Dry Towns.


What genre does your book fall under?
Like much of Darkover, it's technically sf, reads like fantasy. This one's a bit more like the earlier novels in that there are space ships and guys from outer space and such. And chieri, native non-humans. Definitely romantic.

What is the one-sentence synopsis of your book?When Terran smugglers arm the Dry Towns warlords with blasters, it's up to the grandson of Regis Hastur to save Darkover.

Will your book be self-published or represented by an agency?
I write Darkover novels under subcontract to the MZB Literary Works Trust, which owns the copyright. Their agent (who coincidentally happens to be my agent for my own work as well).

How long did it take you to write the first draft of your manuscript?
I typically take about a year to a year and half from beginning the outline to handing in the manuscript to my editor. It's hard to say "first draft, second draft..." as the amount of pre-writing and "oops-in-the-middle" varies so much. I also usually leap-frog rough drafting one project and revising another, interspersed with breaks for other deadlines (page proofs, short fiction for invitational anthologies). This one was no exception.

The Children of Kings is a March 2013 release from DAW. (You can pre-order it now.)

Friday, December 7, 2012

Jaydium - Chapter 23


JAYDIUM


by Deborah J. Ross, writing as Deborah Wheeler


Chapter 23



Progress to the periphery of the city was slow, but gave them time to get a good look at it. Kithri recognized one structure after another. She wondered what had happened to the vibrant colors of Brianna=s city, and then corrected her thinking. This was the original and the other only a ghost transformed by some unimaginable process. If they were now in the far past, Lennart=s past, this planet might well be the point of divergence, the origin of both her world and Brianna=s. A disturbing thought snaked through her mind. Had the gastropoids had blown themselves up and was her Stayman with its alkali pits and dust-filled Plain the result?

She shivered in the warm air and wondered what would happen to Raerquel=s peace movement if it accepted its own annihilation as its inevitable future.

Will Eril tell them what their war will do to this planet, in the hope of getting them to keep talking instead of bombing? She was grateful the decision wasn=t hers.

At the edge of the city lay parkland, very much like the green stretch where she=d first set 'Wacker down. In the distance, a few gastropoids, their silvery hides gleaming in the sunshine, herded a flock of long-bodied, rat-tailed creatures who lifted their heads curiously and then returned to grazing. Kithri thought they might be furred, but couldn=t be sure.


At the very edge of the pavement, a row of flat, sideless vehicles hovered only a few inches above the milky-quartz threshold. Several gastropoids were in the process of disembarking.

"Hai, Raerquel Hath=djan, so those are your alien mammals!" boomed one of them. "You have scientific proof they are truly sentient?"

"I am seeing you, Suppbril Ad=herim. Any news from NewHome station?"

The other alien rippled enigmatically. Kithri watched Raerquel in sympathy. How would I feel if I had a bunch of intelligent aliens in my custody on the eve of Albion being blown into bits? Would I care--would I show them the consideration Raerquel=s shown us?

The other gastropoids undulated away towards the city. Raerquel slithered on to the platform, occupying most of the front portion. The four humans followed and seated themselves in the center and rear.

Kithri smoothed her hands over the platform, wondering where the control mechanisms were. The surface felt slightly yielding, not brittle like true glass. "This can=t be the same stuff the city=s made out of, even if it looks like it."

"Looks?" Raerquel asked. "Ah, to your eyes all water is appearing the same.

Raerquel telescoped down the erect portion of its body until it reached the platform with its lower appendages. Then it stroked the clear surface like the Port Ludlow guitar player Kithri had once seen coaxing a harmony from his battered instrument. In response, a series of bulbous-tipped knobs rose above the surface. As Raerquel manipulated them, the vehicle lifted slowly to a height of several feet and then began to glide westward.

"You mean this material looks different to you than the city buildings?" Eril asked.

"Functional optical molecular qualities are quite distinctive," the alien replied, finishing its stroking. "Underwater, these differences are enhanced. Here, in this dry place, there is little true light."

"You were able to construct buildings--like those--underwater?" asked Brianna.

Raerquel gestured with a delicate upper tendril. "Once all this was part of the sea of life, before the land changed. The mountains pushed upwards and Ocean-of-Home shrank. Much was lost as we adapted to dry living. We built new cities here, on the banks of the old seas, cities like the one we are now leaving, cities of working, dreaming, waiting..."

"To return to the water?" Kithri asked.

"Even now, we must. For eggs to hatch and water-breathing trochophore younglings to grow. The Flesh-Before-Naming. For the dying oldsters, for the sick in spirit. We adults are able to utilize gaseous oxygen, and our integument is tolerant to the dryness of land with the aid of the healing gel. Terrestrial adaptation, although unpleasant, is possible."

"Just because a thing is possible, doesn=t mean it=s good," said Lennart. Again, some bleak undertone in his voice stung Kithri.

"Wise you are, my human friend. These cities here," Raerquel gestured from the way they had come, "cities of light, and cities of darkness in the mountains, they are not enough for us. Who can say if our present desolation is beginning then, with the loss of our water home, and not with our estranged offspring planets?"

oOo

The transport platform floated above the parkland and began to circle the city. As they came around, Kithri caught her first glimpse of the spaceport in its living state, not deserted as it was in Brianna=s time. Row after row of teardrop-shaped ships filled the field. Some were slim and tight like the needle-jets Eril flew late in the war. They seated one, maybe two--she couldn=t be sure about the gastropoids. Other ships were clearly meant to carry more, including one massive vessel that must surely be a freighter. The trading ships she=d known on Stayman were squat, space-scarred buckets, not smoothly rounded crystal. She had a sudden vision of the ships lying broken on the cream-colored field like bits of shattered glass.

Beside her, the two men sat silently staring. The naked hunger in Lennart=s eyes made Kithri flinch and look down. She felt something hot and wet on her face, and scrubbed it away before the others could notice.

oOo

They angled along the vee-shaped pass and cut through the last green-cloaked hills. Something flashed before them, blinding in the sunlight. Kithri sat straighter, straining for a better view. She blinked, expecting at first to see the vivid green forest of Brianna=s world. Instead, as they started down the final slope, a vast shallow sea stretched before them and into the blurred horizon.

Brianna murmured something unintelligible and Lennart made a comment about this place being different, but Kithri ignored them. How could you make jokes when there was so much water out there? So big, and glassy calm beyond the narrow line of surf. The reflected light filled the sky and caught in her throat.

The coast curved inward to a little bay, with a cluster of sparkling buildings and a broad, low pier spun of moonlight-frosted glass like something from a fairy tale. Gastropoids jammed the strip of beach, spilling into the shallow water. A few swam out past the surf line, dipping through the waves like elongated pearls. On the beach itself, the bodies thronged together.

Raerquel lowered the platform until waves splashed against the sides. It cantilevered its upper body over the water until its delicate upper appendages skimmed the surface. Then it extended its dripping tentacles, rigid and unmoving.

She had never seen Raerquel so still before. The scientist=s extremities were usually in constant motion. A faint light glimmered over its skin as it slowly recurled its tentacles.

Kithri looked away, out across the sea, and took a deep breath. The air here tasted different from anything she=d known. She felt the moisture on her skin and inside her nose and throat.

Above them, a slender-winged flier hovered and dove, emitting an abrasive whine. Kithri wondered what it was. The shape seemed wrong for a bird, judging by Stayman=s desert-adapted scavengers.

"What was that?" Lennart asked. "A giant dragonfly?"

"Dragonflies don=t make noises like that," Eril said.

"Pseudo-avian," Raerquel commented. Kithri thought that wasn=t what it actually said, but only the best interpretation of Brianna=s translator.

The platform sped on, leaving only a shadow for a wake. Below them, the water was clear enough to reveal a sandy bottom. The ocean floor slanted gradually deeper and deeper, darkening to blue.

Kithri squinted in the brightness of the reflected glare. There was a mist ahead, low and close to the water. Its sharp boundaries struck her as peculiar, but what did she know about water vapor? She was a stranger to Stayman=s single hypersaline sea and Albion had been a world of lakes and rivers, not oceans.

When they were about a mile offshore, the mist resolved into detailed structures. Kithri stared open-mouthed at the outskirts of a gigantic crystalline city that dominated the center of the ocean. Much of it lay underwater, visible only as masses of glittering peaks interspersed with darker areas of red-brown and muted green. Causeways and platforms jutted skyward, spires and towers spaced by avenues, broad enough for the free circulation of water. Gastropoids dove through the waves, sleek and round, their heads emerging here and there to dot the surface like a constellation of pearly beads.

"Tell me I=m not seeing this," Lennart murmured.

"It=s so big," said Brianna in a high, breathy voice. "How do they deal with tidal currents?"

Kithri=s heart seemed to have crawled into her throat. She could barely breathe, let alone speak. Her longing for Albion=s beauty seemed no more than a mistaken hunger, when before her lay a feast. It was not her world, not her city, or even one that her kind might build. Yet something stirred deep within her, a longing that had been buried all those years beneath Stayman=s dust. She=d wept at the vision of the crystalline ships smashed into dust. Now she could not bear to think what might happen to this city.

They arrived at an elaborate complex built above the water, a pavilion of soaring buttresses and wide horizontal panels of transparent lace. Here Raerquel brought their transport to a halt. They climbed the ramp to the wide central stage, where a small group of gastropoids waited. Others moved into position around the perimeter of the platform, encircling them, while below the water teemed with silver bodies.

Sunlight filtered through the crisscrossed filigree of the high arched dome and dappled the glassy floor beneath Kithri=s feet. A breeze whispered through the open walls, bringing her the tang of seawater. 

Five massive gastropoids sat in a semi-circle. Kithri recognized one from the laboratory examining committee, the one on the far left with the iron-gray sheen to its head discs and the neck slits in an inverted chevron pattern.

After cautioning the humans to remain together and to speak only when requested, Raerquel pointed to each gastropoid and named it. "There is Fillo-'hip, leader-elect of the Council...Shuwash from the mountain cities, Nadilith...Ru-elliven of the scientific committee...and Eatonne."

As Raerquel spoke, ripples of brightness flowed over the latticework of the platform=s walls. Kithri craned her neck to watch the patterns of light flare up and then dim as Raerquel finished. The panels should be visible for miles on a day as fair as this one.

Its introductions finished, Raerquel undulated forward."Esteemed Council-of-Ocean and others," it gestured with one constantly moving tentacle towards the gastropoids floating in the waters outside. "I present to you a scientific marvel--intelligent mammalians."

"Whether these creatures are a marvel is remaining to be demonstrated," said the gastropoid Raerquel had named as Fillo-'hip, overriding the murmured reaction from the crowd below. It was a massive creature, easily the largest Kithri had yet seen. She found herself distrusting it intensely. The arrangement of its neck slits resembled sand-hen scratchings, and the motion of its lower appendages, so different from the flowing gestures of Raerquel, made her think of writhing worms. 

"We have studied your reports and the evaluation of the scientific review committee," Fillo-'hip continued. "In these, we find more questions than answers. We are here to find those answers, not to stare like witless hatchlings at your prize exhibits. What secrets have you been withholding from us, Raerquel? There must be an extraterrestrial origin for these creatures, yet your findings indicate the craft in which they were found is inadequate to the depths of space. Where is the explanation for this matter?"

"The discovery of another habitable world, one adaptable to our colonization, would be greatly altering the balance of interplanetary power," added another gastropoid.

"Perhaps Scientist Raerquel has failed in rigorous pursuing of this information for reasons having to do with the political consequences."

Kithri wasn=t sure which gastropoid had uttered this last statement. Some quality of the open space played havoc with her sense of sound direction. She scanned the neck sections of the Council before her, searching for any hint of motion. 

"No conclusive proof of the origins of these humans is yet available," Raerquel answered temperately. "The artifacts accompanying their sudden appearance are currently undergoing analysis. Ghembaya and others have speculated that, had invertebrates not dominated the evolution of life here on Planet-of-Home, some other group--perhaps vertebrate--perhaps mammalian--might have developed intelligence. This is what makes these creatures so miraculous! Listen to them and judge for yourselves if such an evolutionary development has not already occurred, on a world that is separated from ours not by space but by probability. A world in which the unfolding of life has taken this fascinating divergence!"

Raerquel pointed one graceful tentacle at Eril, who stepped forward. The Council came to a sudden halt, upper tentacles extended like frozen feathers. Kithri, standing behind Eril, saw him square his shoulders. A few of the Council members rumbled ominously. For a moment, she feared he wouldn=t be allowed to speak. Then they quieted, a semi-circle of fleshly gray monoliths, their expressions utterly unreadable.

One of them said, "This is irrelevant to the central point under discussion--the true motivations behind Scientist Raerquel=s treasonous opinions."

"Let us at least hear this argument," replied another. "We would not have it said we gave Raerquel no opportunity to present its...evidence."

o0o

If you can't wait to find out what happens next, you can download the whole thing from Book View Cafe (And the files will play nicely with your Nook or Kindle, as well as other devices). If not, come on back next week for the next episode...

Wednesday, December 5, 2012

Holiday specials at Book View Cafe!

Book View Cafe is having a December sale, and I'm offering two books for your delight, both in multi-format DRM-free versions.


Other Doorways: Early Novels, an omnibus edition of Jaydium and Northlight, for only $5.99











Beyond Grimm: Tales Newly Twisted, an anthology of "interpreted" fairy and folk tales, which I co-edited and contributed to, for only $2.49 (half-price)/

Sunday, December 2, 2012

GUEST BLOG: M. H. Mead on "Not A Series"



A Set, not a Series by Margaret Yang and Harry R. Campion, writing together as M.H. Mead

Our third novel, Taking the Highway, came out a few days ago. A third novel usually comes with nice things like a fan base from the previous books, reader anticipation for the new one, and happiness at more adventures with a beloved hero. Taking the Highway came with some of that, but mostly it came with questions.

Readers often ask us if our books are stand-alones or part of a series. The answer is that they are kind of both. Unlike most series, our books don’t follow a single character. The Caline Conspiracy, Fate’s Mirror and Taking the Highway all take place in near-future Detroit and some characters continue from book to book, but they can’t properly be called a series. We prefer to call them a set.

There are huge advantages to writing a set rather than a series. The thing we like most is the chance to keep it fresh. Every book is a new, big adventure that will forever change the life of our hero. We find that more believable too. Nobody’s life is one of constant danger, and it can get pretty ridiculous if a character stumbles across a dead body every few months. But for our heroes, it’s always the first time. More importantly, each book resolves. We hate cliffhangers, so we don’t write them. Our books end with the bad guys vanquished and some of the hero’s emotional scars healed too.