In the spirit of a masqued revel, here is a gala presentation of tales set in Marion Zimmer Bradley’s beloved world of the Bloody Sun. Some of these stories are humorous, others dark, some gritty, and others whimsical or romantic, but all reflect the richness and breadth of adventures to be found on Darkover.
Here I chat with the marvelous authors who have enriched the world of Darkover with their creative vision.
Masques of Darkover was released May 2, 2017 and is now available for at Amazon.com, Barnes and Noble and Kobo.
Rebecca (“Becky”) started writing stories when she was seven
years old and hasn’t stopped since. She lives in Lexington, Kentucky with three
parrots, a chestnut mare, and a Jack Russell terrier who is not-so-secretly an
evil canine genius, but no flamingos, pink or otherwise. In her other life,
she’s a professional biologist with an interest in bird behavior.
Deborah J. Ross: What was your
introduction to Darkover?
Rebecca Fox: I was somewhere around
fourteen years old, and away at a science camp
aimed at aspiring astronomers. I
was roommates with a girl with whom I’d become pretty much instant friends, and
one of the things she’d brought with her was an entire pile of books (see
above: nerdy teenagers). She was kind enough to loan me two of them, since I’d
been a little short-sighted in the reading material department, and hadn’t
brought along any of my own. One of the books was Magic’s Pawn by Mercedes Lackey; the other was Hawkmistress! I devoured both within a couple of days, since I
apparently didn’t believe in sleeping at that time in my life. The loan of
those two books must have been some sort of omen, because while I didn’t in
fact become an astronomer (having been seduced by biology instead), I have since written stories for both
Valdemar and Darkover anthologies.
DJR: What about the world drew
you in?
RF: Honestly, I’ve always
been a sucker for animal stories and for plucky teenage heroines with a
penchant for giving the finger to the established social order. Hawkmistress! was essentially the
perfect gateway drug. As a teenager in the early ‘90s, I came for Romilly and
her hawks and stayed for the magic (well, matrix sciences; same difference) and
adventure. These days, as a professional academic with a taste for Le Carre,
I’m in it for the politics, the culture clash between Terra and Darkover, and
the tales of peripatetic scholars. Funny how tastes change over the years. Books
in the vein of The Bloody Sun, which
bored me to tears as a teenager, are now some of my
favorites.
DJR: What do you see as the
future of Darkover? How has its readership changed over the decades? What book
would you recommend for someone new to Darkover?
RF: I think there are still
lots of stories to be told about Darkover, since it’s not as though we’ve
really dispensed with any of the issues Marion dealt with so eloquently in her
novels. We’ve admittedly made progress in some areas, like women’s rights, but these
days we humans here on Earth have the ability to make some pretty terrifying
changes in the natural world, via techniques like gene drive, that put me
rather in mind of some of the weapons from the Ages of Chaos.
As far as readership
goes, of course new readers are going to keep finding the series just as my
friends and I did as teenagers twenty-odd years ago. I teach at the college
level, and I can tell you that despite all the dire talk about smartphones
ruining the world, my students still love to read and have an appreciation for
actual books. If anything, they’re more sf-mad than my generation was in the
‘90s, thanks to Harry Potter and The Hunger Games and all the Marvel
movies.




