Monday, March 4, 2013

Writing The Children of Kings


The next Darkover book, The Children of Kings, will be released on Tuesday, March 5, from DAW Books. In answer to questions asked by many readers, I'd like to share some background on the book. In the following weeks, I'll also talk about how I met Marion, how we came to work together, and a few thoughts on "playing in her sandbox."

Marion's original concept for Darkover centered on the clash of cultures, so for this next book, I wanted to bring the Terran Federation back into the picture, but not in a nice sedate and friendly way, but in an OMG-terrible-crisis-about-to-descend-upon-us way. I also have long had a secret longing to run away to live with the chieri, and Kierestelli (Regis and Linnea's daughter, from Hastur Lord) kindly offered to take me.

Writing in the Darkover universe is very much like writing historical fiction. Marion explored so much of this world and its history that I can't "make it all up as I go along." One of the frustrating and yet exhilarating aspects of tackling a Darkover story is that Marion never let things like geography interfere with telling a good story. Although a number of fans produced maps of Darkover, she refused to endorse them, saying that she never knew when she might need to move things around. She also appreciated that Darkover had evolved as she herself had matured as a writer. In the Note From The Author for Sharra's Exile, she says,

One result of writing novels as they occurred to me, instead of following strict chronological order, was that I began with an attempt to solve the final problems of the society; each novel then suggested one laid in an earlier time, in an attempt to explain how the society had reached that point. Unfortunately, that meant that relatively mature novels, early in the chronology of Darkover, were followed by books written when I was much younger and relatively less skilled at storytelling.

For this tale set mostly in the Dry Towns, I used as background not only The Shattered Chain but a very early (1961) “proto-Darkover” novel, The Door Through Space. The Door Through Space contained many elements familiar to Darkover readers, from jaco and the Ghost Wind to the names of people and places (Shainsa, Rakhal, Dry-towns). Marion was exploring a world in which Terrans are the visitors, and adventure lurks in the shadows of ancient alien cities. She drew upon and further developed this material in The Shattered Chain (1976).

These books reflected the growth of Marion’s vision, but each of them was also part of the times in which it was written. 1960s science fiction novels were often tightly-plotted, fast-paced, and short by today’s standards. Most, although by no means all, protagonists were male, and female characters were  often viewed from that perspective, what today we call “the male gaze.” By the middle of the next decade, publishers were interested in longer, more complex works. Not only that, the women’s movement and the issues it raised influenced genre as well as mainstream fiction, opening the way for strong female characters who defined themselves in their own terms. If Marion had written The Shattered Chain a decade and a half earlier, I doubt it have found the receptive, enthusiastic audience it did. Her timing (as with The Mists of Avalon or The Heritage of Hastur) brilliantly reflected the emerging sensibilities of the times.

Now we live in a different world. This is not to say that the previous struggles have been resolved, but that much has changed in the social consciousness from 1976 to today. In writing The Children of Kings, I considered how Marion’s ideas about the Dry Towns (and any patriarchal desert culture) might have changed over the last three decades. The Shattered Chain, with its examination of the roles of women and the choice (or lack of choices) facing them, focused on only a few aspects of the Dry Towns culture. What if we went deeper, seeing it as complex, with admirable aspects as well as those we find abhorrent? With customs that we cannot truly comprehend but must respect, as well as those that resonate with our own? With men of compassion and women of power?

As the Dry Towns developed in my mind, I turned also to the theme that had characterized the early Darkover novels—the conflict between a space-faring technological race and the marvelously rich and romantic Domains, with their tradition of the Compact and the laran-Gifted Comyn. And now, I add to that mix the ancient, kihar-based Dry Towns.

I hope you find this book as rich and rewarding to read as it was to write.

10 comments:

  1. The Dry Town is a Darkover background that made me curious. I read about it in a lot of books, but I guess just The Shattered Chain is placed there. And we can imagine a lot of things when we think about a distant and savage place in the middle of desert. A place where pirates are in the command and where the women are slaves... I'm curious about the children of kings

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  2. Yes, there are references to the Dry Towns in many different Darkover stories. In this day when (at least some of us) try to be sensitive to portrayals of Arab cultures, I wanted to make the Dry Towns very definitely NOT Muslim/Arab and NOT uniformly oppressive to women.

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  3. I love the Darkover series - I collected all the early books as first edition paperbacks and a few with the Peter Andrew Jones covers, which I love. Is there any reason the ebook covers are so dull?

    You had me sold on this book until I clicked through and found...no ebook! I live in a remote area and postage is eye watering, so I've made the switch to ebooks as a practical measure, yet so often I end up disappointed, money in hand and bookless.

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  4. Alice, I'm a bit confused. DAW, the publisher, uses the same cover art for both print and ebook editions. I just checked and THE CHILDREN OF KINGS is available for both Kindle and Nook.

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  5. Dear Deborah, Thank you for Children of Kings!!

    Alice, FYI, I just downloaded the Kindle version from Amazon. It seems to be complete and fully functional. You might try again.
    Best wishes to all on a snowy night,
    Juliette

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  6. Juliette -- hope you enjoy it!

    Best wishes on an about-to-be-rain-stormy night!

    Deborah

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  7. If you have one of the more basic Kindles that doesn't show color, you only see the cover in a gray scale version of the color cover, and it is pretty bland without much contrast. [You also have to know what to click to get to see the cover; when you open any book from the list of titles on your device, it always starts at page 1. I'd read several novels on my first Kindle before I even knew that any version of the cover was available for me to see.]

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  8. Thanks for letting us know about the Children of Kings.

    I would love to buy an ebook version. I have a Kobo which like the Nook uses epub, but I think the versions are different. Kobo does not use DMR and the last book I bought from Nook does. I have to read it on my laptop which is not nearly as easy to deal with or carry with me as the Kobo.

    I guess I can always wait for the Mass Market Paperback! Sighhh!
    SerenaDB

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  9. Thanks for letting us know about the Children of Kings.

    I would love to buy an ebook version. I have a Kobo which like the Nook uses epub, but I think the versions are different. Kobo does not use DMR and the last book I bought from Nook does. I have to read it on my laptop which is not nearly as easy to deal with or carry with me as the Kobo.

    I guess I can always wait for the Mass Market Paperback! Sighhh!
    SerenaDB

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  10. Serena, boy do I appreciate your point about DRM! This is why all the ebooks from Book View Cafe are DRM-free (and can be read on most devices). Alas, I have no input whatsoever on how my publisher brings out ebooks. The only thing I can suggest is to write to DAW (or better yet, Penguin Putnam) and urge them to change their policy.

    In the past, the mass market pb has come out a year after the hardcover.

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