Writer and Book View Cafe member Brenda Clough shares insights on how she comes up with names for characters, places, and more!
You write fantasy or science fiction novels. And, unless you write very philosophical Olaf-Stapledon
type fiction about colliding universes and enormous spans of time, you have created science-fictional or fantasy characters — elves, Klingons, Martians, Wookkies. They need names — and this time you cannot resort to Robert, Mildred and Susie!
This is particularly hard for those of us who need to have the names in hand before starting to write. Because names imply enormous things. We do not notice this so much, because modern Western culture pervades all we see and do so thoroughly. But step out for a moment. You don’t need a rocket ship and FTL to travel to another world. All you need do is learn another language and culture. And suddenly names mean something different. Paul Atreides changes his name to Paul Muad’Dib in Dune. The change of name shows the spiritual change. Or open your newspaper. Some Midwestern kid moved to Syria yesterday and joined ISIS. What did he do, just before that? He changed his name from Jason to Ali.
So, somehow, before you’ve invented the world, figured out the plot, or anything, you need a character. And to handle him you need a handle — a name. In fact in inventing this name all the rest will follow: because the world is encapsulated in the name, and the name embodies character which will inevitably lead you to plot. Pantsers have it hard! But even if you are not a pantser — names are so important that you might well start here as well. J.R.R. Tolkien had Middle Earth and its languages mapped out in fanatical detail long before he sat down to write The Hobbit. But to start that work he needed Bilbo Baggins, who is not (as Gandalf notes) in any of the material about the Eldar at all. All those appendices at the back of LOTR, they were not the story. Bilbo was the story.
You write fantasy or science fiction novels. And, unless you write very philosophical Olaf-Stapledon
type fiction about colliding universes and enormous spans of time, you have created science-fictional or fantasy characters — elves, Klingons, Martians, Wookkies. They need names — and this time you cannot resort to Robert, Mildred and Susie!
This is particularly hard for those of us who need to have the names in hand before starting to write. Because names imply enormous things. We do not notice this so much, because modern Western culture pervades all we see and do so thoroughly. But step out for a moment. You don’t need a rocket ship and FTL to travel to another world. All you need do is learn another language and culture. And suddenly names mean something different. Paul Atreides changes his name to Paul Muad’Dib in Dune. The change of name shows the spiritual change. Or open your newspaper. Some Midwestern kid moved to Syria yesterday and joined ISIS. What did he do, just before that? He changed his name from Jason to Ali.
So, somehow, before you’ve invented the world, figured out the plot, or anything, you need a character. And to handle him you need a handle — a name. In fact in inventing this name all the rest will follow: because the world is encapsulated in the name, and the name embodies character which will inevitably lead you to plot. Pantsers have it hard! But even if you are not a pantser — names are so important that you might well start here as well. J.R.R. Tolkien had Middle Earth and its languages mapped out in fanatical detail long before he sat down to write The Hobbit. But to start that work he needed Bilbo Baggins, who is not (as Gandalf notes) in any of the material about the Eldar at all. All those appendices at the back of LOTR, they were not the story. Bilbo was the story.
