Just in time for Valentine's Day, Lace and Blade 4 offers a bouquet of sensual, romantic, action-filled stories. Order it from iBook, Kindle, Kobo, Nook. Table of contents is here.
JT: A piece of jewelry. The wonderful Elise Matthesen names all of her pieces, and they're all part of her Writer's Challenge. Those of us who are so inspired can write the story or poem or article or whatever else seems to us to fit the name of the piece.
I bought a beautiful pendant of silver and boulder opal, called "On the Peacock Path." I could see the path and the colors, and realized that it had something to do with the (or a) Peacock Throne. And that led me to Iran, which was ancient Persia. The rest came as I followed the path into the jewel.
DJR: How does your writing process work?
Deborah J. Ross” Tell
us a little about yourself. How did you come to be a writer?
Judith Tarr: I've always been a
writer, in the sense of telling stories. I can't remember not doing that.
DJR: What inspired your story in Lace and Blade 4?
DJR: What inspired your story in Lace and Blade 4?
JT: A piece of jewelry. The wonderful Elise Matthesen names all of her pieces, and they're all part of her Writer's Challenge. Those of us who are so inspired can write the story or poem or article or whatever else seems to us to fit the name of the piece.
I bought a beautiful pendant of silver and boulder opal, called "On the Peacock Path." I could see the path and the colors, and realized that it had something to do with the (or a) Peacock Throne. And that led me to Iran, which was ancient Persia. The rest came as I followed the path into the jewel.
DJR: Why do you
write what you do?
JT: Because that's what happens when I get ideas. I love history, especially ancient history. I love to mix up genres. I get in trouble for that, but I can't seem to stop.
JT: Because that's what happens when I get ideas. I love history, especially ancient history. I love to mix up genres. I get in trouble for that, but I can't seem to stop.
DJR: How does your writing process work?
JT: Horribly
slowly now, but it still works, after a fashion. I get ideas and prompts from
all kinds of places. I keep a file of them, multiple files in fact, and when
one really needs to have a story, I pull it out and make notes and brainstorm
and throw things together and see what comes of it. I do outline, but it's an
ongoing, circular, organic process, which grows and changes as the characters
wake up and start talking (or often yelling), and the settings make themselves
visible, and the gears of story--the friction, the "what does this
character want?" and "what are the stakes here?" questions that
move it all forward--start to turn. Sometimes in totally unexpected directions.
