The Skylark's Song (The Skylark Saga, Book 1), by J.M. Frey (REUTS Publications) and The Skylark's Sacrifice (The Skylark Saga, Book 2), by J.M. Frey
These two are really
a single story, broken into two. After a great social and environmental
collapse, two neighboring nations endure decades of war fought mostly in the
air. Gliders from Saskywa take on motorized Klonnish airships, while the
populations in each descend further into poverty. This is especially true for
the indentured Saskywan underclass, the formerly nomadic Sealies, who must
often rely upon scavenging the wreckage of the past for survival (shades of
children picking through rag heaps in today’s desperately poor countries).
Robin, a Sealie
mid-flight mechanic, lives for her time in the skies, resisting at every turn
the relentless pressures to conform and bend to the will of others,
particularly men, and always the ruling Benne class. When a brilliant Klonnish
pilot dubbed “The Coyote” shoots down her ship, she ends up, by dint of skill,
bravery, and luck, being promoted to pilot. Thus begins a battle of strategy,
skill, and courage, fought first in the skies, then through captivity and
escape.
The brilliance of
this two-part novel lies in the skill with which Frey layers and echoes themes.
The first, obvious parallel is the resonance between the situation of the
Sealies in Saskwya and that of women in Klonn, although the latter live in a
gilded prison of silken gowns. The Sealies are pantheistic, the rituals of
their faith woven into the fabric of their lives, while the Klonn consider
themselves as superior atheists, devoted only to rationalism and the practice
of the
Arts.
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