The Book of Two Ways, by Jodi Picoult (Ballantine)
Sitting down to
review a new Jodi Picoult novel always catapults me into a state of awe. She’s
a terrific writer who always envelops me in her story, and those stories are rich
in layered textures, interwoven like brilliant tapestries. Her work is
characterized by a deep, consistent trust in the discernment and judgment of
her readers. She never bashes me over the head by telling me how to feel or
what to think about any event, situation, or character. So here goes The Book of Two Ways According to Deborah:
The “Two Ways” in
the title refers to many things: in Egyptology, a map depicting two paths a
dead person may follow to find the afterlife, one by water, one by land. It
also refers to “the road not taken,” the “might-have-beens” in any person’s
life. How would things have been different if we had chosen one career over
another, or committed ourselves to one first love instead of letting them go?
More importantly,
what happens when the chosen life and the might-have-been collide in real life?
Dawn’s first and
abiding passion in life was the study of Ancient Egypt, in particular a new
interpretation of The Book of Two Ways
painted on the insides of mummy cases. She didn’t expect to also find human
love with an equally obsessed, brilliant British archaeologist, Wyatt. But when
her mother was dying, she left both career and lover to return to the US and a
long, excruciating hospice vigil that she survived thanks to the gentle, loyal Brian,
whom she eventually marries. She finds new meaning in her work as a death doula, supporting dying clients and
their families through their transitions (and echoing the Egyptian practice of
guiding the dead to their destination). Dawn’s daughter Meret becomes the
shining star in her life. A near-fatal airplane crash fractures Dawn’s neatly
assembled world and sends her back to Egypt, and Wyatt.
So much for the
plot. First of all, the book itself isn’t linear in chronology, and a good part
of it is layered, spiraling back to themes and situations previously touched
on, each revisitation offering new insights.
Secondly, Egypt!
Tombs! Mummies! Mysteries! Unearthing objects not seen in millennia! Just about
every kid I knew was fascinated by Ancient Egypt at one time or another, me
included, and Picoult presents the scholarly material and methods in her
typical blend of passion and accessibility.
Thirdly, what does
it all mean? Can we ever truly pick up the pieces of the lives we might have
lived? How do we know if we want now what we wanted then, or have we ourselves
changed so there is no going back?
Is it possible to
love two people, each in different ways? How does any of us choose between love
and the demands of an all-consuming vocation?
In the end, Picoult presents
us with an ending that reflects as much what we as individual readers have
experienced or longed for, as the text of the previous story.
As usual, highly
recommended.
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