Apparently, the b/a/t/t/l/e discussion over whether to use
one space or two between sentences r/a/g/e/s/o/n continues. Since I have not
yet expressed my opinion on the subject, here it is:
You have got to be kidding me, right? Of all the things you could worry about in writing—characters, plot, theme and metatheme, moral center, rising and falling tension, use of language -- you’re obsessed with this?
Once upon a time, when typesetters used single-letter type
or operated linotype machines with “hot lead” type, such things as two spaces
made sense. Anything that made the typesetter’s job easier made sense. Editors
were used to seeing those double spaces after a final period and a single space
looked “wrong” and “sloppy” and – heavens! – amateurish, because it was not the
norm.
Word processors have changed all that. It’s trivial to do a
global search-and-replace two spaces for one. Your editor can, with a couple of
clicks, make your manuscript look however she wants. (As an editor, I do this
quite a lot and I don’t find it in the least annoying.)
What matters and what has always mattered is not however
many spaces you put between sentences. It’s what’s in those sentences and how
they fit together to create a story.
The thing is, folks get all worked up about trivialities when they're trying to avoid grappling with the harder, deeper issues. No editor is going to reject an otherwise splendid story because it has the "wrong" number of spaces. Save your passion for what really counts.
The thing is, folks get all worked up about trivialities when they're trying to avoid grappling with the harder, deeper issues. No editor is going to reject an otherwise splendid story because it has the "wrong" number of spaces. Save your passion for what really counts.
Here endeth Deborah’s rant on the subject of double spaces
between sentences.
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