STARS
OF DARKOVER – not just the glorious night sky over the world of the Bloody Sun,
but the authors who have been inspired over the decades by Marion Zimmer
Bradley’s favorite world. It will be released on June 3, 2014, to celebrate Marion's 84th birthday
Robin
Wayne Bailey is the author of numerous novels, including the Dragonkin trilogy and the Frost series, as well as Shadowdance and the Fritz Leiber
inspired Swords Against The
Shadowland. His short fiction has appeared in many magazines and
anthologies with numerous appearances in Marion Zimmer Bradley's Sword And Sorceress series and Deborah
J. Ross's Lace And Blade
volumes. His novelette, "The Children's Crusade" was a 2008
Nebula Award nominee. Some of his stories have been collected in two
volumes available from Yard Dog Press. He is a former president of
the Science Fiction and Fantasy Writers of America and co-founder of the
Science Fiction Hall of Fame, now located in Seattle, Washington. He
lives in Kansas City, Missouri.
Deborah J. Ross: How did Marion
Zimmer Bradley influence your writing career? What inspired your story in Stars
of Darkover?
Robin Wayne
Bailey: Marion
Zimmer Bradley was an early supporter of my writing. I had just sold my first novel, Frost, when I saw an announcement that
Marion was seeking stories for a new anthology called Sword And Sorceress. I
decided to take a shot at that and wrote a story called “Child of Orcus,”
involving female gladiators in the Roman arenas during the reign of Caligula,
which was a little-known or discussed historical fact at the time.
Marion
loved the story and wrote an astonishingly complimentary introduction for it,
stating, among other very nice things, that “I bought this story under the
impression that this was a woman writing about a woman. Only after deciding to purchase it did I
discover that Robin Bailey was a man; but like all really good writers, gender
is unimportant to the perceptive eye he brings to the study of his heroine.” That’s a compliment I’ve always held
closely. “Child of Orcus” became my
second professional genre sale and saw publication exactly one year after my
first novel appeared.
I
sold a good number of stories to Marion after that for further Sword And Sorceress volumes and for such
anthologies as Spells Of Wonder. Indeed, one of my favorite stories, “The Moon
Who Loved the Man,” appeared in Spells. I also sold to her magazine, too. Marion was always very complimentary and
supportive, even going so far as to provide a couple of nice blurbs for my
subsequent novels. But then came a very
special anthology invitation. Marion had
decided to put together a special small-print hardback volume of stories by
writers she considered “her literary children,” and it would be called Marion Zimmer Bradley’s Fantasy Worlds. That she considered me one of her children
was immensely flattering, but by that time I was, I thought, leaving the kind
of fantasy I had previously sold to her behind and exploring other directions.
Nevertheless,
I decided to take a chance. I wrote
“Eyes of Moonlight, Tears of Stone,” a raw, horror fantasy set in the ghetto
drug culture of a modern city and featuring an elderly fat black woman who
worked in Child Protective Services. I
knew I was out on a limb, and Marion wrote that she intended to reject the
story. Then, a couple of weeks later,
she called. “Damn you,” she said. She hated the story, but she couldn’t get it
out of her mind, which was, she added, the mark of an excellent story, even if
she hadn’t seen it at first. My story
does not fit at all with the other stories in that volume – yet there it is,
and Fantasy Worlds today is an
extremely valuable collector’s book.
When
Deborah Ross contacted me about writing a contribution for a brand new
collection of Darkover stories, I was a bit stunned. I’d written stories for Deborah before,
specifically for her Lace And Blade anthologies,
and knew her to be a terrific editor and fun to work with. Yet, I had not read one of Marion’s Darkover books
in maybe thirty years. I wasn’t sure
that I knew the world well enough to write such a tale. Deborah reassured me and promised any help
with details I might need.
So,
having committed, I settled in one evening with a pair of early Darkover novels
and with a computer close at hand so that I could find useful website
information. What I actually found were
contradictions upon contradictions.
Marion had never valued continuity over story. My head was spinning, yet I found details and
passages that fascinated me. I lost my
fear of writing a story that wouldn’t fit into an established continuity. I’d let Deborah iron out the wrinkles with me
when the time came. Little by little,
“The Ridenow Nightmare” took form in my brain.
The Ridenow family were the outcasts among the great families of
Darkover, and that appealed to me. I
like outcasts, and suddenly I knew my characters, all their strengths and
foibles – and all their secrets. It was
one of those nice moments when all the research you’ve done and all your fear
and anxiety about a story come together in a special collision, and the words
just start pouring out.
When
it was done, I felt an immediate concern about the sensuality of the story, but
I loved the elements of madness. Deborah
and I wrestled about a single detail, a mere matter of geography, but she
accepted the story, and I am excited to be part of Stars Of Darkover, the first anthology of new Darkover stories in
many years, and I hope it will serve to introduce an entirely new generation of
readers to Marion’s wonderful series.
DJR: What
have you written recently? What lies ahead?
RWB: For
the past couple of years, after producing twenty or so novels, I’ve
concentrated
mostly on writing short fiction.
Although I’ll eventually return to novels, I like the versatility short
fiction allows: fantasy heroines today, robots tomorrow, time travel the day
after that, then maybe a mystery. More,
I’m at a point in my life where I prefer to write for editors that I know want
my work and seek me out, who understand my voice and views, and who trust me
enough to let me take risks. That’s a
rare and wonderful place to be.
Recently, I’ve sold a number of stories.
“King of the Galaxy Knights,” has just appeared in a terrific collection
of modern space opera tales called The
Raygun Chronicles. “The Ridenow
Nightmare,” of course, will appear this summer in Stars Of Darkover, and a brand new “Frost” story called “Vengeance”
will appear toward the end of the year in a Baen Books anthology called Shattered Shields. I’ll also have a book of poetry out this
year, and my writing schedule for the rest of this year is pretty well booked
up. That, too, is a nice place to be.
DJR: What
do you see for the future of Darkover?
RWB: Among
the writing projects now on my schedule is Deborah’s next volume of brand new Darkover
stories, which she intends to call Gifts
Of Darkover. I’m already turning
over possible ideas. Whatever I write
will not be a sequel to “The Ridenow Nightmare.” I want to leave that story exactly where it
ends, for now, at least. There are so
many tales to tell about this fascinating world. The trick will be to make everything fresh
for new readers while also satisfying older, loyal readers and remaining true to
Marion’s creation. It will be an
interesting balancing act. The stories
need to be accessible to new readers who may not be familiar with all the
previous volumes. They need to feel
welcomed in and charmed to stay. From
what I’ve read so far, Stars Of Darkover does
that admirably. The next trick will be
one of marketing – letting readers know that the legendary world of Darkover,
one of the great classic creations of the science fiction genre is once again
alive. That will take, among other
things, a lot of “word of mouth,” so if you’re seeing this interview – spread
the word: Darkover is back and exciting once more.
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