The next Darkover book, The Children of Kings, was released on Tuesday, March 5, from DAW Books. Here and in the following weeks, I'll also talk about how I met Marion Zimmer Bradley, how we came to work together, and a few thoughts on "playing in her sandbox."
I frequently am asked how I came to work with Marion and to continue her Darkover series after her death. Senior
author-junior author dual-bylines are not unusual these days, but each
partnership has its own story. In this case, the answer centers around our
long-established professional relationship. That in itself would be insufficient
to produce a smooth collaboration, but it was how she knew my natural literary
voice would match hers and why she trusted my understanding and love for her
special world. In addition, I had respectable publication credentials in my own
right, both novels and short fiction, and was not using the collaboration to
establish my career; I was already a working professional writer.
To begin with, I met Marion by writing her a letter. This was
back in 1980 and I had no idea fandom existed, but I felt so moved by her work
that I wanted to let her know. Having been on the receiving end of such
letters, I now appreciate what a thrill they are for an author. We hurl our
creations into the void, send our literary children forth without any clue as
to where they will end up; to learn that we have touched the hearts of our
readers or helped them through a difficult time is wonderful beyond words.
Marion wrote back, three pages of single-spaced typewriting. At
the time, she was on the Grievance Committee of SFWA (Science Fiction Writers
of America, as it was then) and used the official stationery. I now appreciate
the prudence of that step, knowing the volume of fan mail she received over the
years and her sad experiences of theft and exploitation by people she reached out
to. We began a cautious correspondence, although I must confess to a certain
giddiness that my favorite author had taken the care to write to me.
After several rounds of letters, Marion's secretary wrote that
she was organizing a Fantasy Worlds Festival convention and how would I like to
work security? I had a number of years' study in Chinese martial arts and had
written to Marion about it. With glee, my kung fu partner and I agreed. So the
first convention I attended was as part of the security team. The weekend also
gave Marion and me the occasion to greet one another face to face, and that was
the beginning of a personal relationship and many visits in each other's homes.
Today, I think writers are more cautious--with good reason--but Marion was an
unusually welcoming person and these were more trusting times.
Marion had read a little of my Darkover fiction for the fanzine
she edited for Friends of Darkover, so when she began work on the first SWORD
& SORCERESS, she invited me to send her a story for consideration. She
bought that story and many others over the years, although she occasionally
sent back stories with requests for revision. In preparing this blog, I went
back and re-read some of her letters, wincing at the mistakes I had made and impressed
with her kindness and patience in explaining "in words of one
syllable," to use my favorite phrase, where I had gone wrong.
Marion edited not only SWORD & SORCERESS and its
"overflow" volume, A SENSE OF WONDER, and Darkover anthologies, but
her own MZB'S FANTASY MAGAZINE. Although she did not accept every story I sent
to her, not by a long shot, in general she wanted to read what I wanted to
write. As my prose-craft improved, I became more skillful in discerning which
story ideas matched which market and how to develop them in ways that expressed
my own creative voice. I needed to stretch my literary wings, to write stories
beyond the fairly narrow restrictions of "MZB fantasy." Although I
continued to submit regularly to Marion, I also sold stories to FANTASY &
SCIENCE FICTION, ASIMOV'S, REALMS OF FANTASY, and a host of other anthologies,
including STAR WARS: TALES FROM JABBA'S PALACE, DAW 30TH ANNIVERSARY FANTASY
ANTHOLOGY, and SISTERS OF THE NIGHT. (Most of these were under my former last
name, Wheeler.)
Thanks again for this piece! It's so inspiring to read how a creative life can begin to unfold.
ReplyDeleteI was actually born in 1980, so I guess I have yet a long way to go... Unfortunately I got some negative comments on my writing and no positive ones at all when I was a teenager, even though, when I read it now, I still think it was quite good.
It's only now, in my thirties, that I dare to venture to write again. I'm currently entering a few (non-paid) contests for autobiographical short stories and I'm working on a psychological novel tinged with fantasy and spiritual elements.
Gigi, hooray for you for following your dream of writing. I get angry when I hear of young people (or young writers of any age) being discouraged, sometimes devastated, by harsh criticism. Each one of us has a creative gift, a voice, that is unique and precious. What we need is encouragement and nourishment through the tough job of learning the craft. Then our voices can sing and everyone is enriched by our vision.
ReplyDeleteDeborah,
ReplyDeleteI guess you meant SPELLS OF WONDER? Otherwise, there's a a MZB book that I need acutely to hunt down! :)
Petri Peltonen
Yes, SPELLS OF WONDER is S&S 5-1/2. With regard to constructive criticism, MZB used a handout called "the stranglers and the wranglers" in all her writing workshops. She didn't allow negative criticism during them.
ReplyDelete