The next Darkover book, The Children of Kings,
was released on Tuesday, March 5, from DAW Books. Here and in the
following weeks, I'll also talk about how I met Marion Zimmer Bradley,
how we came to work together, and a few thoughts on "playing in her
sandbox."
I frequently am asked how I came to work with Marion and to continue her Darkover series after her death. Toward the end of her life, Marion suffered a series of strokes,
which made it difficult for her to concentrate on novel-length stories. One
solution to this problem was to work with a younger writer, supervising and
editing as well as designing the story arc and characters. Marion tried
collaborating with various writers, including Mercedes Lackey, whose own
writing schedule proved too demanding for her to continue. I was one of the
writers Marion considered because she had watched me develop from a novice to
an established professional and knew my work, especially those stories I had
written for the Darkover anthologies. She had seen what I could do in "her
world," and often cited "The Death of Brendon Ensolare" (a
"Lieutenant Kije" story set in the Thendaran City Guards) as one of
her favorites.
We began work together as we had begun our relationship, first
in correspondence, then in person. We'd settled on a time period and general
story arc when I visited her for the last time. When I arrived at her home, she
had been resting, on oxygen, but insisted on sitting up to talk. I knew she had
been very ill, but seeing her made her condition so much more vivid for me. One
of my best memories of her was watching her "come alive" as we discussed
character and hatched plot points. Her eyes "glowed as if lit from
within," to use one of her favorite descriptions, and energy suffused her
whole being. I asked question after question and then sat back as she spun out
answers. It was as if she had opened a window into her imagination and invited
me to peek inside. Her secretary told me that she talked for days afterwards
about the visit and how excited she was about the project.
We never got a second visit. She died a month later.
Marion had been a rock, an anchor, an inspiration, and a guide
throughout my literary career. I expected we would have more time to work
together, despite how desperately ill she was. I believed in the magic of that
last visit.
It was magic. And, although I did not realize it at the time, it
was also the passing of the torch.
One of my bigger regrets is that I never got the chance to meet Marion in person, though I did talk to her on the phone a few times. It's so interesting to read these.
ReplyDeleteThank you. Yes, I came into the field at just the right time, and it happened that my parents lived in Bay Area, so it was easy to work in a visit to Marion when I was visiting them.
ReplyDelete