Article Review: Women Viking Warriors!

Recently, I came across this article on the widespread misconceptions about Vikings.

 

7 myths about the Vikings that are (almost) totally false

Misconceptions abound about Vikings. They are often depicted as bloodthirsty, unwashed warriors with winged helmets. But that's a poor picture based largely on Viking portrayals in the 19th century, when they featured in European art either as romantic heroes or exotic savages. The real Vikings, however, were not just the stuff of legend — and they didn't have wings or horns on their helmets.

This article sparked an online discussion about the myth that all Viking warriors were male. A friend posted:

A myth they didn't cover is the one that says all the Viking warriors were male. Archaeology is finally recognizing that finding weapons and even a horse skeleton in a grave cannot ensure that the buried person was a man. (It was a myth nurtured by XY archaeologists, convinced they knew it all.)

By sheer coincidence, I saw the article below and mentioned it to my friend. I imagined her grinning as she responded:

Yes - Birka shook everything up in the field, and is making them reevaluate conclusions about a number of earlier excavations.

Weapon-filled burials are shaking up what we know about women's role in Viking society

In Birka, Sweden, there is a roughly 1,000-year-old Viking burial teeming with lethal weapons — a sword, an ax-head, spears, knives, shields and a quiver of arrows — as well as riding equipment and the skeletons of two warhorses. Nearly 150 years ago, when the grave was unearthed, archaeologists assumed they were looking at the burial of a male warrior. But a 2017 DNA analysis of the burial's skeletal remains revealed the individual was female.

Across Scandinavia, at least a few dozen women from the Viking Age (A.D. 793 to 1066) were buried with war-grade weapons. Collectively, these burials paint a picture that clashes violently with the hypermasculine image of the bearded, burly Viking warrior that has dominated the popular imagination for centuries. And it's possible that, due to gendered assumptions, archaeologists may be systematically undercounting the number of Viking women buried with weapons.

Archaeologists often guessed the deceased's sex based on grave goods, such as mirrors, weaving tools and brooches, which archaeologists assumed were typically buried with females, and battle-related weapons, which archaeologists thought were typically buried with males. If a Viking Age sword was the only item recovered, for example, it was nearly always assumed to be a male grave.

Short Book Reviews: The Mystery of the Crow Folk Revealed!

This latest novel in the “Warrior Bard” series will delight Marillier fans. After the events in The Harp of Kings and A Dance with Fate, everyone seems to have settled happily. Liobhan, who is both a skillful musician and an elite Swan Island warrior, is with her sweetheart, nobly born Dau, although by tradition they are not allowed to go on missions together. Her half-fey brother, Brocc, has retreated to the Otherworld with his fey wife and infant daughter, whom he adores. Swan Island continues to train young warriors and provide their special blend of espionage, counsel, and martial prowess. Then, of course, everything falls apart. Brocc’s attempts to establish a truce with the vicious Crow Folk lead to his and his daughter’s expulsion into the mortal realm. Dau’s latest mission puts him at risk of encountering the brother who tortured him and Liobhan, and a crown prince has gone missing and is possibly dead. Disparate story lines gradually weave together as the true menace emerges, along with the alliance that will defeat it.

I enjoyed A Song in Flight very much, especially the chance to spend more time with my favorite characters, watch Dau and Liobhan recover from the traumatic experiences of the last book, and delve the mysterious origin of the Crow Folk. Without having read the previous two books, however, much of this one would have been confusing. This is an issue every author who writes multi-volume series faces. If you put in enough background to fully orient a new reader, you risk losing faithful fans through repetition and boredom. Marillier does a fine job reminding the reader without bashing over the head, but in the end, it’s best to read the previous volumes in order.

Short Book Reviews: Mercenary Spies Track Down a Missing Harp

The Harp of Kings, by Juliet Marillier (Ace)

The Swan Island super-elite mercenaries/spies have figured in previous stories by Juliet Marillier. This tale begins in the training school with three talented students, Liobhan and her adopted brother, Brocc, and the gorgeous but conceited young nobleman, Dau. The three are recruited as part of a party hired to recover the missing Harp of Kings, essential for the coronation of the next king of Breifne. Brocc and Liobhan, talented musicians both, go underground as members of a performing troupe, while Dau masquerades as a mute farrier’s assistant. Despite all their training and motivation, they each find it nigh impossible to maintain their disguises. All is not well in Breifne; the crown prince is arrogant, self-centered, and violently antagonistic to anything eldritch, including the fae Overworld that has traditionally co-existed with the human world to the peace and prosperity of both.

Marillier has grown from a talented new voice to a consummately skillful pro with exquisite control of narrative, character development, and plot. From the first page, I found myself relaxing and immersing myself in the story. Along the way, I noticed that instead of bashing me over the head with exposition, Marillier inserts subtle clues about each character’s inner turmoil, hopes, and relationships, in addition to important details in other characters and settings. This deepening of the story is brilliantly handled, and adds to the emotional satisfaction of every step of the journey. I’ve long been a fan of Marillier’s work, but The Harp of Kings clinches it!

THE HEIR OF KHORED cover

Sometimes, when you first see the cover image for a book you've labored long and hard over, you just want to dig a hole, climb in, and pull a heavy rock over the opening. Other times, it's so gorgeous, so true to the spirit of the book, you can hardly breathe for excitement. That was my joy in this cover. It's not accurate to the details of the story, but it so embodies the central conflict -- and oh my, yes, Shannivar is back!

The book comes out in June 2014, but you can pre-order it now. Barnes & Noble, Amazon.com, Powell's or your local bookstore.

SHANNIVAR cover!

Here's the cover for Shannivar, the second book of The Seven-Petaled Shield.  I am so pleased with the artwork by Matt Stawicki! It's available for pre-order at the usual places, for an early December release.

Women Heroes in The Seven-Petaled Shield

Novels begin in many different ways, drawing their “motive energy” or “visions of ultimate coolness” from varied sources. Which is a high-falutin’ way of saying that there is no one right way in which to begin a story. It can start with a visual image (very common with me, as I’m a visual writer), an emotional turning-point, or an idea that grabs the imagination. Or a line of dialog or a melody. Many writers experience a tango-like dance with their creative inspirations, which ranges from the times the source dictates its own story in total defiance of genre boundaries and market demands, to those instances when the writer summons a story to fit certain specifications. The world of The Seven-Petaled Shield began with the latter.

My first professional short story sale was to Marion Zimmer Bradley for the debut volume of Sword & Sorceress. (It was, of course, an occasion of much rejoicing!) When the anthology became an annual series, I kept submitting stories, and looking around for different cultures and situations. For one of the later volumes (XIII), I wanted to explore the tensions between a nomadic horse people and a city-based culture like Rome, and their different values and forms of magic. I did not call them Romans and Scythians, but these models were very much in my mind. As I delved further into my research, researching aspects of life and warfare that spoke to me, I learned that although Scythian women were definitely second-class citizens, the Sarmatian women rode to battle and were likely the origin of the “Amazons” of legend. Thus began a series of “Azkhantian” tales, in which the women of a nomadic horse people battle against the relentless incursions of Gelon (this world’s Roman Empire) What could be more perfect for a sword and sorcery story featuring a strong woman protagonist?

BOOK RELEASE: Azkhantian Tales

The Seven-Petaled Shield was inspired by four short stories that Marion Zimmer Bradley bought for Sword & Sorceress. Now they're together in one collection (with a gorgeous cover by Dave Smeds!) Here's the skinny:

Across the Azkhantian steppe, warrior women ride to battle against foes both human and supernatural. From the world of The Seven-Petaled Shield come four fantasy tales, originally published in Marion Zimmer Bradley’s Sword & Sorceress.


Prophecy links a mother and daughter in an unbreakable bond.

A young woman defies tradition to become a shaman.

When twins are magically divided, the survivor searches for the other half of her soul.

A warrior woman discovers that to wield a magical blade dishonorably carries a heavy price.

This collection includes a previously-unpublished Introduction and a sneak peek at The Seven-Petaled Shield.

Only $1.99 in DRM-free multi-format from Book View Cafe