Showing posts with label Shariann Lewitt. Show all posts
Showing posts with label Shariann Lewitt. Show all posts

Wednesday, March 2, 2016

Shariann Lewitt on "Tainted Meat" in REALMS OF DARKOVER

Realms of Darkover®, the newest Darkover anthology, will be released in May 2016. You can pre-order it at Amazon (and it will be available at other outlets soon). Here’s a contributor interview to whet your appetite!
Marion Zimmer Bradley’s beloved world of Darkover encompasses many realms, from glacier-shrouded mountains to arid wastelands, from ancient kingdoms to space-faring empires. Now this all-new anthology welcomes old friends and new fans to explore these landscapes of time and place, history and imagination.

Shariann Lewitt is the author of “Tainted Meat,” the cover story for Realms of Darkover (and that amazing owl!) She has published seventeen books and over forty short stories, including “Wedding Embroidery” in Stars of Darkover and “Memory” in Gifts of Darkover. When not writing she teaches at MIT, studies flamenco dance, and is accounted reasonably accomplished at embroidery. Her expertise with birds arises in part from being the devoted servant of two parrots.

Deborah J. Ross: When and why did you begin writing?
Shariann Lewitt: I always knew I wanted to be a writer--and an astronaut.  Only my eyes were awful (I have since had Lasik and it is wonderful!) so astronaut was out of the question. The first purchase I ever made with my own money was an SF novel, and it was all over from there.  I started reading Darkover not terribly long after.

DJR: What about Darkover or its inhabitants drew you in?
SL: Darkover really spoke to me.  It had magic and adventure and an alien world to explore, but it also had science and technology. Above all, it had women who did things, but they had to fight for their right to do so.  When I was young, stories, especially SF/Fantasy, featured either active males, or feminist utopias where the women were simply accepted. Which sounded nice, but not at all like my life. Darkover felt--real.  And gave me role models and support during difficult times.  When I reread the books as an adult, they stood up.  So many of my favorites hadn't that I worried about going back to stories and characters I remembered so fondly.  I was thrilled to discover that they were rich and nuanced in ways I hadn't been able to quite understand as a youngster, and the books were just as satisfying for different reasons.

Tuesday, June 10, 2014

INTERVIEW: Shariann Lewitt on Stars of Darkover

STARS OF DARKOVER – not just the glorious night sky over the world of the Bloody Sun, but the authors who have been inspired over the decades by Marion Zimmer Bradley’s favorite world. It will be released on June 3, 2014, to celebrate Marion's 84th birthday.



Reading Marion Zimmer Bradley’s work when she was a girl was part of what inspired Shariann Lewitt to become a science fiction writer.  Today she has published seventeen books and over forty short stories under five different names.  When not writing she teaches at MIT, studies flamenco dance, and is accounted reasonably accomplished at embroidery.




Deborah J. Ross: How did Marion Zimmer Bradley influence your writing career?

Shariann Lewitt: Marion Zimmer Bradley, and the Darkover books in particular, are part of the reason I became a science fiction writer.  As a young girl, Bradley was one of the writers who wrote about girls and women in a way I could identify—interesting, active women with agency, but who also chafed at the constraints of their society.  Many of the other writers I enjoyed reading growing up wrote entirely fantasy, and here Darkover was a wonderful exception because, while there was magic, there was also science.  At least there was space travel, and I was one of the kids who loved science and the space program.  Girls existed and sometimes got to act in fantasy books, but were entirely invisible in any books with space ships and star travel.  More than anything else, Marion Zimmer Bradley showed me that I could be a science fiction writer without erasing myself as a female from the time I was very young,