STARS
OF DARKOVER – not just the glorious night sky over the world of the Bloody Sun,
but the authors who have been inspired over the decades by Marion Zimmer
Bradley’s favorite world. It will be released on June 3, 2014, to celebrate Marion's 84th birthday.
Reading Marion
Zimmer Bradley’s work when she was a girl was part of what inspired Shariann
Lewitt to become a science fiction writer.
Today she has published seventeen books and over forty short stories
under five different names. When not
writing she teaches at MIT, studies flamenco dance, and is accounted reasonably
accomplished at embroidery.
Deborah J. Ross: How did Marion Zimmer
Bradley influence your writing career?
Shariann Lewitt: Marion Zimmer Bradley,
and the Darkover books in particular, are part of the reason I became a science
fiction writer. As a young girl, Bradley
was one of the writers who wrote about girls and women in a way I could
identify—interesting, active women with agency, but who also chafed at the constraints
of their society. Many of the other
writers I enjoyed reading growing up wrote entirely fantasy, and here Darkover
was a wonderful exception because, while there was magic, there was also
science. At least there was space
travel, and I was one of the kids who loved science and the space program. Girls existed and sometimes got to act in
fantasy books, but were entirely invisible in any books with space ships and
star travel. More than anything else,
Marion Zimmer Bradley showed me that I could be a science fiction writer
without erasing myself as a female from the time I was very young,
DJR: Tell us about your
story in Stars of Darkover.
SL: The Ridenow were always
my favorites! They were so different
from the other Comyn—their name didn’t match the name of their Domain, they had
Dry Town blood, they were always the outsiders.
I have a special love for outsiders.
So as soon as I received Deborah’s invitation I knew I wanted to write
about the Ridenow. I spent a good bit of
time rereading my old favorites, many of which I hadn’t reread in years, trying
to decide on which period of Darkover to set my story. The more I read the more I realized that I
was deeply drawn to the Ages of Chaos and—the story just started to come. Well, at first I started to write about
Mhari’s younger sister Ysabet, who is more rebellious and more the normal
Darkover heroine. But Mhari slowly took over. Why shouldn’t a young woman be strong and
powerful in her own right, but choose to be the Lady of her Domain?
Rereading seven Darkover
books in the space of three weeks, another thing hit me. All powerful Darkover heroines hated
embroidery. Embroidery, and all
needlework, denoted a subservient woman who didn’t take charge of her own
life. Well, I personally happen to do
embroidery! I like doing embroidery and
I wanted to create a heroine who liked it.
I wanted to show readers that there might be a reason a woman could
enjoy embroidery for herself and not simply because it was expected of
her. And that’s when the idea of the
tools of embroidery becoming the tools of something else took hold…and then I
found the central image of the story that I could not shake from my mind.
I have to thank Deborah J. Ross for permitting me to write this story.
I have never previously been associated with Darkover and maybe writing
about how the Ridenow became the Lords of Serrais was arrogant. Surely someone far more part of the Darkover
world should establish history this important in the canon. And yet Deborah let me do this and I cannot
thank her enough!
DJR: What have you written
recently? What lies ahead?
SL: I’ve been writing a lot
of short stories lately. In longer
fiction, I’m working on steampunk and historical science fiction/ghost
stories. They’re hard to categorize as I
try to break my old reputation as a “cyberpunk”.
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