Book Review: A tour-de-force of the heart

Eleanor Oliphant Is Completely Fine, by Gail Honeyman (Penguin)

This marvelous debut novel is mainstream, not genre, but with overtones of “domestic thriller” and superb handling of an unreliable narrator. The growth of the central character skillfully parallels the gradual revelation of her past.

At first, Eleanor Oliphant seems to be a tediously bland, often annoying office worker. Her social skills leave a great deal to be desired, she’s compulsively routine-bound, and she rebuffs every effort at friendship. Although she insists to herself and to everyone else that she is completely fine, her weekly phone chats with her emotionally abusive Mummy result in weekly bouts of heavy drinking. Her doomed infatuation with a third-rate singer provides more fodder for Mummy’s manipulations.

At first, I thought that her problem was that she was a functional alcoholic, but the situation turned out to be much more complex and nuanced. From the beginning, there are hints of a deeper, darker story. When Eleanor and Raymond, a big-hearted if physically unattractive IT guy, rescue an elderly man who collapses on the street, Eleanor gets drawn into new social circles and relationships. The walls she has built around her profound emotional damage begin to crumble. Needless to say, in Honeyman’s capable hands, there is more than one surprise along the way.

Highly recommended. A tour-de-force of the heart.

Book Review: Mothtown, A Brilliant Second Novel from Caroline Hardaker

 Mothtown, by Caroline Hardaker (Angry Robot)

Caroline Hardaker’s second novel, like the first, presents a challenging read. It asks the reader to keep critical faculties, human sympathy, and a healthy degree of scientific skepticism onboard as the story unfolds. It’s been described as a cross between horror and mainstream, but I don’t think it’s horror in the usual sense, any more than Metamorphosis by Franz Kafka is. It might better be described as a psychological mystery. Whether the fantasy/science-fictional/surreal elements truly exist in Hardaker’s world or whether they are creations in the mind of the main character is, ultimately, a judgment call for the reader to make.

The story alternates between “After,” in which the adult protagonist races desperately through a sinister wilderness, and “Before,” looking back to his childhood. The “Before” section opens on an apparently dystopic world in which people go missing and floral tributes appear on all-too-many doorsteps and street corners. This is the first part of the mystery: What is going on? Are people really vanishing? If so, where are they going? If not, where are their bodies?

Although his parents try hard to protect him and his sister, ten-year-old David believes something more is going on. When his beloved grandfather--a Professor of Superstring Theory and Dark Matter Studies--disappears and his parents insist the old man is dead, David refuses to believe them. He becomes convinced that his grandfather has found a door into another world, a place he truly belongs. And David is determined to find such a world for himself.

David faces many difficulties in the ordinary world. He’s barely verbal, doesn’t pick up on social cues or interact with others, and seems oblivious to the feelings of others. His mother’s increasingly anxious about the “disappearances,” and despite this, David takes off on his own to visit the cemetery where his grandfather is buried. As a mother myself, I was furious at his lack of sensitivity. Fortunately, Hardaker’s skill kept me reading long enough to ask the question, “What is going on with this kid?”

David is more than an unreliable narrator, although he is that, too, and herein lies the second part of the mystery. What, indeed, is going on with him? Can we trust anything he says about himself, the world, other characters, his grandfather—anything?

Can we read between and behind the lines to discover the real story?

==SPOILER ALERT==

Short Book Reviews: Murder Mystery Set in a Magical High School

Magic for Liars, by Sarah Gailey (Tor)

In short: now I know why readers have been raving about Sarah Gailey.

In long: this tale begins as a murder mystery set in an exclusive, 

private high school for the magically gifted. The first-person narrator is a private detective who’s wearied of digging into cases of infidelity and embezzlement, and both excited and intimidated by her first murder investigation. So much is not all that astonishingly new territory. But this is where the story gets complex. Ivy is an unreliable narrator, whose unerring sense of the truth shines through her layers of self-deception, guilt, and inadequacy. To make matters worse, Ivy’s brilliant, charismatic, and magically talented sister teaches at the school and was romantically involved with the murder victim.

The unfolding of the mystery parallels Ivy’s exploration of her own past, her relationship to her sister, and who she herself might have been “in another life,” if she and her sister had been close, if she had been magical, if she had gone to a good school, if she were attractive and confident, and so forth. The line between Ivy’s wishful imagination and the possibility that she is in the process of unlocking hidden potential is ambivalent, as it should be, making Ivy a complex and utterly sympathetic character. This subtlety arises from superb narrative skill and deep insight into the human psyche, all within the framework of a fascinating familiar-but-new magical world, all the agonies of revisiting high school, and a murder mystery full of twists and surprises.

Strongly recommended.

The usual disclaimer: I received a review copy of this book, but no one bribed me to praise it. Although chocolates and fine imported tea are always welcome.