Showing posts with label centaurs. Show all posts
Showing posts with label centaurs. Show all posts

Friday, April 30, 2021

Short Book Reviews: Two Through-the-Magical-Door Adventures


Over the Woodward Wall,
by A. Deborah Baker (Tordotcom)

Two children, one a conformist, the other a spontaneous adventurer, find themselves transported to a magical world of beauty and peril. Avery is conventional, precise, analytical. Zib is an elemental force of courage and chaos. When their separate, parallel routes to school are blocked by construction, they take a short cut over a wall and end up in the land of Up and Under, befriended by owls and a Crow Girl, who periodically disassembles herself into a murder of crows. Occasionally guided by a glittering Improbable Road, they embark upon a journey home. Other character, both sympathetic and sinister, form often dangerous alliances with the children.

The narrative style is often humorous, always witty, as if the third-person narrator were a character in itself. I suspect that Seanan McGuire, writing as A. Deborah Baker, had a hugely entertaining time writing the book, as the reader will have reading it. A fast, entertaining read.


 

Across the Green Grass Fields, by Seanan McGuire (Tordotcom)

At first I thought from the title that this was a sequel to Over the Woodward Wall (written as A. Deborah Baker), but Across the Green Grass Fields takes place in an entirely different world, with a new protagonist. The prose style is similar, as is the device of a door (or wall) through which children enter a magical world and their adventures there.

In this case, the child is Regan, whose abiding love in life is horses. Although growing up in a loving and supportive family, she’s insecure enough to seek the approval of a domineering, conformist girl. When she confides in her friend the newly disclosed information that she’s intersex (genetically XY but female in appearance, due to androgenic insensitivity syndrome, a neat bit of medical geekery1), her friend reacts with bigoted cruelty. Regan then escapes (through a magical door, of course) to a land where the first creatures she encounters are unicorns (gorgeous but dumb as rocks) and centaurs (an all-female family that accepts her without question into their loving home).

Immersed in the Hooflands, buoyed by her love of horses and things-horselike (murderous kelpies, for example), Regan grows into a competent, confident adult without the difficult question of which gender camp she fits into. Of course, all is not well in the Hooflands, and various adventures ensue.

I applauded a biologically intersex hero, and the way sex versus gender is beautifully depicted. Even more, having been a horse-obsessed teen myself, I appreciated the empowering and healing nature of the human-equine relationship. I’d love to see more stories like this2 – maybe McGuire will create them!

  1.  https://isna.org/faq/conditions/ais/
  2. Full disclosure: one of my children is a physician specializing in medical care for gender and sexual minorities.


 

Friday, October 11, 2019

Short Book Reviews: A Steampunk Detective, with Centaurs


The Clockwork Detective, by R.A. McCandless (Ellysian)

The last couple of years have brought a slew of wonderful steampunk adventures with resourceful, kick-ass heroines, and this one by McCandless is a worthy addition. Aubrey Hartmann is a veteran of recent war, having lost the lower part of one leg, and now works as a constable. Her prosthetic is a clockwork device that needs to be rewound regularly and isn’t a perfect fit but does keep her mobile, if in pain. As a result, she’s become addicted to laudanum (opium). Her current assignment involves investigating the murder of a druwyd (druid, local witch-doctor holy man) in a little town near the Fae-ruled Dark Wood. Here is where the world-building of The Clockwork Detective sharply deviates from the usual Victorian gears-and-whistles steampunk. Magic is not only real, it’s part of everyday life, and the human wars are overshadowed by the possibility of a terrible conflict with the Fae.

Aubrey’s research leads her into the Dark Wood to question the denizens there, those being centaurs, who are not only fierce fighters but wonderfully oblique and weird. The blending of Victorian mechanistic steampunk, mythology, and magic is seamless and believable. The story moves from murder mystery to international thriller to magical encounters of the terrifying kind. Aubrey herself is a wonderful combination of vulnerable addiction, resourcefulness, keen intelligence, and general all-around bloody-mindedness. I look forward to reading her further adventures!

The usual disclaimer: I received a review copy of this book, but no one bribed me to praise it. Although chocolates and fine imported tea are always welcome.