I have been a fan of Mercedes Lackey’s “Elemental Masters”
series for a long time. My favorite so far is Phoenix and Ashes, a
Cinderella story where the prince is a WWI veteran with PTSD. I grabbed the
latest with anticipation. Annie Oakley with Elemental Master powers? How will
she use her silver bullets?
The story begins with a nightmare memory of her impoverished
childhood and the malevolent nature of the couple she’s hired out to work for.
I expected the man whom she calls “He-Wolf” and who plants a curse on her would
loom throughout the book as the Big Bad, that her internal struggle would free
herself of her fears, and that a showdown would involve silver bullets (against
werewolves, according to canon). The action itself opens on a European tour of Buffalo Bill's
Wild West Show and the introduction of Frida, a German woman sharpshooter, who
happens to be an Elemental Master of Air. To no one’s surprise, not mine, both
Annie and her husband have rare magical abilities, which they proceed to hone
by studying with Frida and her husband. During the winter, they join in the
hunt for nasty supernatural creatures, and Annie’s superb marksmanship and
magical abilities prove an asset.
Most of the story reads like a leisurely travelogue of
Europe, with details of places they travel through, the meals they eat, daily
life in the show, how to take down and put up tents, their hosts in every town,
and so forth, not to mention the magical exercises and mystical creatures, all
lovingly laid out on page after sedate page. Characters talk at length about
what is going to happen and who they are going to meet before the events
themselves. Everything is so predictable that the sense of danger is minimal
when it’s present at all, even during the nocturnal hunts. The confrontation
with He-Wolf doesn’t come about until the very last pages, and even then, Annie
is not in any real danger. She has one brief moment of childhood panic before
she resolves the situation. There’s no internal struggle, no doubt of the
outcome, and no remorse at what she’s done. While she was notable in
negotiating with supernatural creatures during the Hunt, she never attempts to
do that with the He-Wolf, which would have been a compassionate overture but
also a huge step toward recovery from her childhood trauma.
The pacing, the resolution, the flat dramatic arc, and the
overall sedate pace lag when compared to earlier “Elemental Masters” books.
I’ve noticed that Lackey’s recent Valdemar books are written less tightly than
the early ones, but they have more dramatic impact than this one. I presume
that long-time fans enjoy a leisurely stroll through their favorite fantasy world.
The “Elemental Masters” books are stand-alones, so the stories must be complete
and engaging. I hope The Silver Bullets of Annie Oakley is not a
forewarning of a tedious future.
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