The Oyster Thief, by Sonia
Faruqi (Pegasus)
This new take on the
classic mermaid love story (which classic? Pick any one, they’re all
represented) strive hard to be fresh and charming. For the better part it
succeeds, except for a couple of areas. The story pits ocean exploitation
against a complex society of vegetarian merpeople who live on various forms of
seaweed and have creatures like whale sharks and seahorses as “muses,” personal
companions. The naming conventions are often whimsical, especially if you are reading
with a dictionary in hand (or, like me, have a dictionary on your e-reader).
Parallel plotlines – an apprentice apothecary engaged to the scion of one of
the richest merpeople families and the adopted heir to Ocean Dominion, an
inventor who’s devised a way for fire to burn underwater – weave together with
mystery elements, betrayals and reversals and an ultimately satisfying ending.
The book is not
without its shortcomings, however. It’s overlong for the weight of the plot,
and many elements of personality, history, and world-building are repeated too
many times. But more than that, the author displays a lack of trust in the
reader’s perspicacity. Too many elements are first shown as the action unfolds,
then told in a ham-handed way that
left me feeling as if I were being bashed over the head. As an example, Izar is
desperately insecure and eager to win his adoptive father’s approval. I got
that from their first interaction. I didn’t need to read:
He would do anything, invent anything, even another moon, to win Anrares’s approval.
“From the company’s very first days, I dreamt of one day plundering the oceans for precious metals and minerals.”
[A. Who talks like that? B. Metals are the
refined product of minerals, rarely occurring in pure form in a salt-water
environment. The book is rife with violations of the principles of physics,
chemistry, and biology.]
At the same time, to
be fair, the prose occasionally rises above the pedestrian examples above:
Tears trickled from her eyes, water meeting water, salt meeting salt. [Let’s not consider how an aquatic species can weep or how anything can trickle when immersed in water.] or:
He pursued clues, she pursued cures. He kept merpeople safe, she kept merpeople well.
People died in the deep sea not of the darkness outside, but the darkness within.
Still, the book
merits four stars for its inventiveness and charm. Sonia Faruqi is an author
worth watching. I hope that future works from this author will benefit from
critical editorial input.
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