Strongholds of rock . . . fortresses of the spirit . . . a planet set apart . . .
Citadels can be psychic, emotional, and cultural as well as military, and the wonderfully imaginative contributors to this volume have taken the basic idea and spun out stories in different and often unexpected directions.
Pre-order it at:
ePub https://books2read.com/u/ 4XRR0N
Kindle https://amzn.to/2TmBBW0
Pre-order it at:
ePub https://books2read.com/u/
Kindle https://amzn.to/2TmBBW0
Here I chat with contributor Evey Brett:
Deborah J. Ross: How
did you become a writer?
Evey Brett: I was
a music major in college, and toward the end I got to a point where I couldn’t
play a whole note without freaking out and needed a creative outlet, one that
wasn’t noisy. I’d always liked writing stories and had written several as a kid
and teen, so writing stories as an adult came easily enough. I started with
some fan fiction and realized I could never sell it, so I started going to the
library and picking up books on writing so I could learn to write in an
original world. I took some classes at a community college, got accepted into
the Clarion writer’s workshop, and my career picked up from there.
DJR: Were there
any pivotal moments in your literary journey?
EB: There are a
few. I went to a very good writer’s program at a community college in San Diego,
and was a little stunned when one of the teachers told me my story was good.
That gave me the confidence to keep writing. There was going to Clarion, of
course, and I believe it was the next summer when WesterCon came to San Diego
and I met Deborah J. Ross, and we bonded over Darkover, and I’m so glad I was
able to write three stories in a world that meant so much to me.
DJR: Tell us
about your introduction to Darkover.
EB: Back in 2002
when I was just out of college, I got a job working retail at a now-extinct
Foley's department store in a mall. There was a Waldenbooks right across from
the store, so I'd often go get a book and settle down in a comfy chair
somewhere in the mall to eat my lunch and read. One day I was looking for a new
book and picked up The Fall of Neskaya,
and I was hooked. Fortunately for me (and the bookstore) they had several other
Darkover novels as well.
DJR: What about
the world drew you in?
EB: I'm a sucker
for stories with telepaths and damaged characters. I'd gone through a number of
Mercedes Lackey's books, so finding Darkover gave me a whole new world with a
sizeable canon to explore. Having just read the back of The Fall of Neskaya, I'd still pick it up to read because it's got
everything I want--telepaths, power, gifts, a tormented character with a secret
he can't reveal.
DJR: What
inspired your story in Citadels of
Darkover? How did you balance writing in someone else’s world and being
true to your own creative imagination?
EB: I don’t
remember exactly where the inspiration came from, other than wanting to write a
chieri story and having DyanArdais’s
dance in Heritage of Hastur stick in
my head. As far as writing in someone else’s world, I find that the limitations
actually make it easier to construct a story, and I find it kind of fun to work
out story details that function within the world. Plus I enjoy research, which
means flipping through multiple books and resources to find details I can
use—like how chieri have ecstatic
dances of their own.
DJR: Is there
another Darkover story you would particularly like to write?
EB: I’ve wanted
to write a chieri story for a while
now, and I managed to do it with this one. And since this is the last Darkover anthology, I’m glad my final
story is also my favorite one.
After being ordered (coerced?) to move to southern Arizona
by her Lipizzan mare, Carrma, Evey Brett developed a fondness for the local
creepy-crawlies such as snakes, scorpions, tarantulas and Gila monsters, not to
mention the coyotes, buzzards and hawks that frequent the area. Some of those
critters (and/or Carrma) have influenced a number of Evey’s stories, including
one in Masques of Darkover and several in Lethe Press
anthologies. When not feeding carrots to her equine mistress, Evey can be found
shuffling papers for the city or reading submission stories for The Magazine
of Fantasy and Science Fiction.
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