Enter a wondrous universe…the latest volume of Sword and Sorceress, featuring stories
from new and seasoned authors. Herein you will find tales of fantasy with
strong female characters, with some version of either martial skill or magic.
Not all the protagonists will be human, and sometimes the magic will take
highly original forms, but the emotional satisfaction in each story and in the
anthology as a whole, remains true to the original vision. The release date will
be November 2, 2018.
Kindle: https://amzn.to/2NitlHH
Deborah J. Ross: Tell us a little about yourself. How did you come to be a writer?
M P Ericson: I've been writing stories since I could hold a
crayon. Somewhere I still have one I wrote when I was four. Also I was read to
a lot, and taught myself to read. There were always plenty of books around. My
grandmother owned a bookshop, and I pretty much lived there as a young child. I
read everything I could reach. It was my dream to get my own stories up on the
shelves with all the others.
DJR: What inspired your story in Sword and Sorceress 33?
MPE: I'd written a story from Katti's point of view
(Crossing the Dead Line) and got interested in the relationship
between her and Elyse. I've studied law and trained in martial arts, so
exploring the contrast between the two was fun. Liane turned up at the practice
ring, and the story grew from there.
DJR: What authors have most influenced your
writing? What about them do you find
inspiring?
MPE: Tolkien is my biggest influence – I read The
Lord of the Rings as a child, and it blew me away. The sense of a new world
taking shape in the ruins of an old one resonated with me. I grew up in Sweden,
where Viking Age rune stones and Bronze Age rock carvings are part of the
landscape. Most of my stories have traces of an older and deeper story
somewhere in the background, which the characters aren't quite aware of.
Astrid
Lindgren and Maria Gripe inspire me with their wistful tone and clarity of
style. PG Wodehouse and Terry Pratchett with their offbeat humour and startling
use of language. And Jane Austen with her mischievous wit. Those are the other
main influences. But I have a magpie mind, I pick things up from all over the
place.
DJR: Why do you write what you do, and how does your
work differ from others in your genre?
MPE: I'm usually trying to capture an idea. Mood and
tone are important to me, like in music or art. Perhaps there's an intensity in
my work that's a bit different to most. A mythic quality, if you like. Being a
migrant has probably affected me as well. My characters tend to be on the move,
travellers in one sense or another. And I'm interested in relationships between
people, what they see in each other and how that reflects themselves. Theodora
Goss may be the closest in the genre. I'm a great admirer of hers.
DJR: How does your writing process work?
MPE: I start with an image. Something that pings the
story circuits at the back of my mind. Then a character shows up, and then an
opening line. That's when I start writing. Usually by the time I get to the end
of the first page I know what's coming next, and then I carry on until I find
the ending. If I go completely off the rails, I start a fresh draft and seldom
look back. So by the time I have a complete draft I'm pretty much where I want
to be. Revisions tend to be light. Sometimes I realise I'm missing a scene, or
have one in the wrong place. Apart from that it's mostly tidying up, correcting
typos and so forth.
DJR: What have you written recently? What lies
ahead?
MPE: I wrote an underwater story about a shark
recently (At the Edge of the Watching Deep), which was interesting. I've got some novel
ideas brewing as well. I'd love to get back to the Battlehawk series.
DJR: What advice would you give an aspiring writer?
MPE: Find your own process. There's so much great
advice out there, but most of it probably won't work for you. That's OK. Just
keep writing your own stories, and trust them to reach the right readers
eventually. And do have an actual real life as well. Everything you experience
becomes rich material for fiction, sometimes in the most unexpected ways.
M P
Ericson lives on the edge of a moor in Yorkshire, England, with an assortment
of spiders and mice. Her stories have been published in magazines and
anthologies all over the world.
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