Just in time for Valentine's Day, Lace and Blade 4 offers a bouquet of sensual, romantic, action-filled stories. Order it from iBook, Kindle, Kobo, Nook. Table of contents is here.
How my work differs as I go about that is, I think, a reflection of how and where I’ve always lived—I’m an environmental ed major and former park naturalist who’s always lived as close to the real world as possible. Once upon a time, that meant a log cabin on a hundred acres of Appalachian mountainside where I interacted with more critters than humans. Since then I’ve immersed myself in the land on SW Virginia farm acreage (and spent my summers sleeping in a wee tent anyway) followed by rural high altitude desert foothills. Always close to my animals—horses and dogs--and training them, an avocation that led me to the current pack of four that includes the most highly performance-titled Beagle breed champion in the nation and two more who are right on his heels. I think this immersion—combined with a neurosensory syndrome—provides a framework for my work that likely differs from other approaches.
Doranna Durgin
interview
Deborah J. Ross: Tell us a little about yourself. How did you come to be a writer?
Doranna Durgin: I didn’t “come to be” a writer—I was always a
writer. I put my first little book
together in first grade and never stopped, and wrote my first novel in 7th
grade (Illustrated. About a Collie, if
you must know.) At that point I was
writing daily by hand (in very particular lined notebooks with very particular
pencils that I didn’t give up until I realized that pencil fades) and submitting with the naïve confidence of youth. I didn’t switch to the typewriter until after
college, and boy howdy, you should have seen me when I sat down in front of my
first word processor (Atari!).
I guess the point is, I started and I never stopped. I don’t suppose I ever will.
I guess the point is, I started and I never stopped. I don’t suppose I ever will.
DJR: What inspired your story in Lace and Blade 4?
DD: Oh, there was no way I wasn’t going to stump Kelyn, my straightforward
sword & sorcery heroine, with social strictures and subtleties—especially
not when I’m in the middle of writing a sequel (Rings of Ranadir) for her first book (Wolverine’s Daughter). I
figured it would be gleeful rubbing-hands-together fun, and it was! There might be some sly thoughtfulness in
there, too. I’m not saying.
DJR: Why do you write what you do, and how does your work differ from others
in your genre?
DD: I write what I do because it’s all inside me, and possibly I would
explode if I didn’t find a way to let it out.
And I also write what I do because authors before me have made me feel
the wonder of their worlds, and I want more than anything to share the wonders
I feel from my stories, too. And I write
because I want to explore and reveal things I think are important—things we’ve
forgotten about our world, through alternative lenses.
How my work differs as I go about that is, I think, a reflection of how and where I’ve always lived—I’m an environmental ed major and former park naturalist who’s always lived as close to the real world as possible. Once upon a time, that meant a log cabin on a hundred acres of Appalachian mountainside where I interacted with more critters than humans. Since then I’ve immersed myself in the land on SW Virginia farm acreage (and spent my summers sleeping in a wee tent anyway) followed by rural high altitude desert foothills. Always close to my animals—horses and dogs--and training them, an avocation that led me to the current pack of four that includes the most highly performance-titled Beagle breed champion in the nation and two more who are right on his heels. I think this immersion—combined with a neurosensory syndrome—provides a framework for my work that likely differs from other approaches.
DJR: What have you written recently? What lies ahead?
DD: My writing is in a transition phase.
I’ve recently stepped away from traditional publishing—bought out a
contract when publisher restrictions meant I couldn’t do with the book what the
book needed done. Now I have so many projects on my list, it’s hard
to know where to go first. But there
will be more for Kelyn, definitely a return to fantasy and a number of heart
books that have been waiting, and more for Dale & Sully (a mystery series
with a vet and his Beagle companion that I swear, I started before I actually had Beagles. The prescience of me). I also recently released the third book in
the Reckoners trilogy on top of significantly enhanced Author’s Cuts of the
first two books. I love, love, love that indie publishing has allowed
me to do this, after nearly fifty traditional books’ worth of bowing to publisher
roadmaps.
DJR: What advice would you give an aspiring writer?
DD: The same advice I’ve always given, even as the market changes: Write
lots of what you’re driven to write, know the market, know the different
publishing paths, and know which choice is best for you before you make it. Set your
sights first, then figure out your plan for getting there, and then go after
it.
Doranna Durgin is an award-winning author whose quirky
spirit has led to an extensive
publishing journey across genres, across
publishers, and across publishing lines. Beyond that, she hangs around outside
her Southwest mountain home with horse and highly accomplished competition
dogs. She doesn’t believe in mastering the beast within, but in channeling its
power. For good or bad has yet to be decided.
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