Wednesday, August 22, 2012


For today's post, I'm a guest of Open Alliance friend Kyell Gold, and talk about Lace and Blade, Marion Zimmer Bradley, and my newest anthology, The Feathered Edge: Tales of Magic, Love, and Daring.

On "Adventures in Queer-Friendly Editing:"

I’d worked with Marion Zimmer Bradley, as an author she edited as well as a personal friend, for long enough to know that the narrower the scope of an anthology and the more rigid the guidelines, the deeper into the slush pile you have to dig. The stories that can hit a tiny target and offer excellent quality are few and far between. Marion was a personal inspiration to me as well, in the fearlessness with which she tackled controversial topics (like sexual orientation) at a time before such things were acceptable in genre publishing. I remember reading her ground-breaking novel, The Heritage of Hastur (1972, in which she deliberately set out to portray a heroic, sympathetic gay character), and bursting into tears at the struggles of this character to accept himself — both as a gay man and as the heir to enormous, soul-crushing responsibility. (In the final year of her life, Marion began work on another story about Regis Hastur and his lover, Danilo Syrtis, and I had the privilege of finishing it and seeing it in print: Hastur Lord, DAW, 2010). She taught me that it was possible — and morally imperative — to tell compelling stories about human problems — power, sex, jealousy, self-sacrifice, and most of all, love — and that gay people must be included in those stories. I knew that this is what I wanted to do as an editor.

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We’re all different in what delights and inspires us, not just as queer/straight and male/female, but as individuals. At the same time, it is also important that there be a “place for us,” whether it be a specifically gay-themed anthology or one in which love stories between men or between women are portrayed with the same respect and rapture as those of the straight couples.

I have long believed that what is wrong with this world is not too much love, but too little. I hope to play a small part in creating a world in which no one feels invisible or excluded, and all expressions of who we are are celebrated.

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