From the time we’re small children, it seems that someone is
always urging us to hurry up, to not
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| Photo by Cleo Sanda |
When I began to write professionally, I found myself juggling
motherhood, a day job career, and the inner-driven need to set down the stories
in my head. Writing time was precious and all too scant, and I had much to
learn about the craft. My initial style involved “pantsing” (writing “by the
seat of your pants”) or, as I put it, “taking a flying leap off the edge of
reality, ” and then revising, revising, revising. As a consequence of this and
the limited, fractured time periods available to me, my stories progressed slowly.
I remember meeting a certain published author at one of my first convention,
who breezily talked about how he never revised, he sold his first draft novels,
and he produced three or four of them every year. I cringed to think of my one
or two short stories and maybe one novel draft in that same time period
(keeping in mind that I needed three or four – or more! – revision drafts). Was
this what professional writers did? I wondered. And how was I ever going to
produce that much, that fast, and of that professional quality?
