|E. Duranty by Degas|
One way through the deluge is to connect with authors online. (Shameless Promotion Hint: Book View Café is a wonderful way to get acquainted. A whole community of fabulous writers with a wide range of styles and genres is right here -- we will now pause while you read a short story from a writer new to you. Okay, aren't you glad you did?)
Conventions also work well for me as a way to sort through the enormous number of new titles. I'll hear someone talk on a panel or read aloud from their work and be impressed with what a strange and thoughtful mind they have. Sometimes, I'll meet them afterwards and be curious about their stories. Sometimes when I hear a writer in person, I'll pick up a book whose title or cover would not otherwise appeal to me or I'll be willing to read something outside my usual "taste zone." Since I believe in supporting other writers, especially newer ones, I usually buy (at least) one "unknown" book from the dealers room. This has the additional benefit of helping out my friendly convention dealers, who get even friendlier and more diligent in carrying my own books. The next step is a request for an autograph, which is a pleasure for everyone involved. So many times, the few moments it takes can give a writer, even an established writer, a lift. "Wow! Deborah J. Ross bought my book -- and asked me to sign it!"
A delightful outcome from these meetings has been personal as well as professional friendships. That happens when we love each other's work and enjoy each other on a personal level.
A third method is personal recommendations and reviews, although with discernment. I may like and respect another reader/author but have different tastes in reading. (I have a good friend who gives me anti-recommendations: anything she loves, I am sure to hate, although I don't always like what she detests.) Reasons for liking or disliking books are particularly valuable. For instance, a reviewer or friend may say, "I couldn't stand Book because Topic or Theme turns me off" but I happen to adore stories with Topic or Theme, so a negative review can actually make me more likely to go out and read the book.
Sometimes the experiment is successful and I go out and buy everything else I can find by that author. Other times, the library book sale is the recipient of these autographed copies. That's the breaks. I don't always enjoy the work of people I admire and like (and sometimes I like work by people I can't stand), so I try to look at the process as an interesting experiment. A book can be well done, but is just not my cup of tea. If I don't care for it, someone else may love it.
Now comes the delicate issue of reciprocity, because I extend this support not only as an avid reader, but as a fellow writer. The first sale is without expectations, but after that, I pay attention. Unless I'm utterly captivated by the author's work (in which case I devolve to the status of a fan), I notice whether the support is mutual. Alas for human nature, I'm more likely to continue to buy your books if you also read mine or at least let me know you are interested in my own career. I don't demand that the other writer adore my work, only that they extend the courtesy of giving it a try as I have done for them. If that sounds self-serving, it is. Relationships between peers (we are each readers but we are both writers as well) require mutual support. If we are honest, we can separate out personal taste and be of genuine help to one another.
What do you think? How do you find new authors to love?